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🔗 Philosophy 🔗 Systems 🔗 Philosophy/Philosophy of mind 🔗 Philosophy/Metaphysics

A holon (Greek: ὅλον, from ὅλος, holos, 'whole' and -ον, -on, 'part') is something that is simultaneously a whole in and of itself, as well as a part of a larger whole. In other words, holons can be understood as the constituent part–wholes of a hierarchy.

The holon represents a way to overcome the dichotomy between parts and wholes, as well as a way to account for both the self-assertive and the integrative tendencies of organisms. The term was coined by Arthur Koestler in The Ghost in the Machine (1967). In Koestler's formulations, a holon is something that has integrity and identity while simultaneously being a part of a larger system; it is a subsystem of a greater system.

Holons are sometimes discussed in the context of self-organizing holarchic open (SOHO) systems.

🔗 Musical Instruments 🔗 Percussion

Campanology () is the scientific and musical study of bells. It encompasses the technology of bells – how they are founded, tuned and rung – as well as the history, methods, and traditions of bellringing as an art.

It is common to collect together a set of tuned bells and treat the whole as one musical instrument. Such collections – such as a Flemish carillon, a Russian zvon, or an English "ring of bells" used for change ringing – have their own practices and challenges; and campanology is likewise the study of perfecting such instruments and composing and performing music for them.

In this sense, however, the word campanology is most often used in reference to relatively large bells, often hung in a tower. It is not usually applied to assemblages of smaller bells, such as a glockenspiel, a collection of tubular bells, or an Indonesian gamelan.

🔗 Medicine 🔗 Medicine/Ophthalmology

The Purkinje effect or Purkinje phenomenon (Czech: [ˈpurkɪɲɛ] (listen); sometimes called the Purkinje shift, often incorrectly pronounced ) is the tendency for the peak luminance sensitivity of the eye to shift toward the blue end of the color spectrum at low illumination levels as part of dark adaptation. In consequence, reds will appear darker relative to other colors as light levels decrease. The effect is named after the Czech anatomist Jan Evangelista Purkyně. While the effect is often described from the perspective of the human eye, it is well established in a number of animals under the same name to describe the general shifting of spectral sensitivity due to pooling of rod and cone output signals as a part of dark/light adaptation.

This effect introduces a difference in color contrast under different levels of illumination. For instance, in bright sunlight, geranium flowers appear bright red against the dull green of their leaves, or adjacent blue flowers, but in the same scene viewed at dusk, the contrast is reversed, with the red petals appearing a dark red or black, and the leaves and blue petals appearing relatively bright.

The sensitivity to light in scotopic vision varies with wavelength, though the perception is essentially black-and-white. The Purkinje shift is the relation between the absorption maximum of rhodopsin, reaching a maximum at about 500 nanometres (2.0×10⁻⁵ in), and that of the opsins in the longer-wavelength cones that dominate in photopic vision, about 555 nanometres (2.19×10⁻⁵ in) (green).

In visual astronomy, the Purkinje shift can affect visual estimates of variable stars when using comparison stars of different colors, especially if one of the stars is red.

🔗 Chemistry 🔗 Polymers

Retrobright refers to H₂O₂ (hydrogen peroxide) based processes used to remove yellowing from ABS plastics. The usage has also expanded to other retro restoration applications, such as classic and collectible sneaker restoration, where it is referred to by collectors as "sole sauce".

Yellowing in ABS plastic occurs when it is exposed to UV light or excessive heat, which causes photo-oxidation of polymers that breaks polymer chains and causes the plastic to yellow and become brittle.

One method of reversing the yellowed discoloration coined the term (stylized as retr0bright or Retrobrite) was first discovered in 2007 in a German retrocomputing forum, before spreading to an English blog where it was further detailed. The process has been continually refined since.

The long-term effectiveness of these techniques is questioned. Some have discovered the yellowing reappears, and there are concerns that the process weakens and only bleaches the already damaged plastic.

🔗 Greece 🔗 Middle Ages 🔗 Middle Ages/History 🔗 Sicily 🔗 Greece/Byzantine world 🔗 Normandy

The term Norman–Arab–Byzantine culture, Norman–Sicilian culture or, less inclusively, Norman–Arab culture, (sometimes referred to as the "Arab-Norman civilization") refers to the interaction of the Norman, Byzantine Greek, Latin, and Arab cultures following the Norman conquest of the former Emirate of Sicily and North Africa from 1061 to around 1250. The civilization resulted from numerous exchanges in the cultural and scientific fields, based on the tolerance shown by the Normans towards the Latin- and Greek-speaking Christian populations and the former Arab Muslim settlers. As a result, Sicily under the Normans became a crossroad for the interaction between the Norman and Latin Catholic, Byzantine–Orthodox, and Arab–Islamic cultures.

🔗 Organizations 🔗 Fashion

The Rational Dress Society was an organisation founded in 1881 in London, part of the movement for Victorian dress reform. It described its purpose thus:

The Rational Dress Society protests against the introduction of any fashion in dress that either deforms the figure, impedes the movements of the body, or in any way tends to injure the health. It protests against the wearing of tightly-fitting corsets; of high-heeled shoes; of heavily-weighted skirts, as rendering healthy exercise almost impossible; and of all tie down cloaks or other garments impeding on the movements of the arms. It protests against crinolines or crinolettes of any kind as ugly and deforming... [It] requires all to be dressed healthily, comfortably, and beautifully, to seek what conduces to birth, comfort and beauty in our dress as a duty to ourselves and each other.

In the catalogue of its inaugural exhibition, it listed the attributes of "perfect" dress as:

1. Freedom of Movement.
2. Absence of pressure over any part of the body.
3. Not more weight than is necessary for warmth, and both weight and warmth evenly distributed.
4. Grace and beauty combined with comfort and convenience.
5. Not departing too conspicuously from the ordinary dress of the time.

Leading members of the Society were Lady Harberton (who created the divided skirt), Mary Eliza Haweis and Constance Wilde (Irish author). Oscar Wilde helped spread the word by publishing the essay "The Philosophy of Dress" in which he stressed the important relationship between clothing and one’s soul. Woman cyclists, such as members of the Lady Cyclists' Association, were keen advocates of women's right to dress appropriately for the activity, as part of a belief that cycling offered women an opportunity to escape overly restrictive societal norms.

In 1889, a member of the Rational Dress Society, Charlotte Carmichael Stopes, staged a coup at a meeting of the British Association for the Advancement of Science in Newcastle upon Tyne, when she arranged an impromptu addition to the programme on the subject of rational dress. Her speech was reported by newspapers across Britain and the notion of rational dress was the biggest news from the meeting.

🔗 Military history 🔗 Military history/Medieval warfare 🔗 Martial arts 🔗 Military history/Spanish military history 🔗 Spain 🔗 Military history/European military history 🔗 Fencing

La Verdadera Destreza is the conventional term for the Spanish tradition of fencing of the early modern period. The word destreza literally translates to 'dexterity' or 'skill, ability', and thus la verdadera destreza to 'the true skill' or 'the true art'.

While destreza is primarily a system of swordsmanship, it is intended to be a universal method of fighting, applicable to all weapons in principle, but in practice dedicated to the rapier specifically, or the rapier combined with a defensive weapon such as a cloak, a buckler or a parrying dagger, besides other weapons such as the late-renaissance two-handed montante; the flail; and polearms such as the pike and halberd.

Its precepts are based on reason, geometry, and tied to intellectual, philosophical, and moral ideals, incorporating various aspects of a well-rounded Renaissance humanist education, with a special focus on the writings of classical authors such as Aristotle, Euclid, and Plato.

The tradition is documented in scores of fencing manuals, but centers on the works of two primary authors, Jerónimo Sánchez de Carranza (Hieronimo de Carança, died c. 1608) and his student Luis Pacheco de Narváez (1570–1640).

🔗 United States 🔗 Film 🔗 Library of Congress 🔗 Film/American cinema 🔗 United States/Film - American cinema 🔗 Science Fiction 🔗 Transhumanism 🔗 Guild of Copy Editors 🔗 Film/Core 🔗 Film/British cinema 🔗 Hertfordshire

2001: A Space Odyssey is a 1968 epic science fiction film produced and directed by Stanley Kubrick. The screenplay was written by Kubrick and science fiction author Arthur C. Clarke, and was inspired by Clarke's 1951 short story "The Sentinel" and other short stories by Clarke. Clarke also published a novelisation of the film, in part written concurrently with the screenplay, after the film's release. The film stars Keir Dullea, Gary Lockwood, William Sylvester, and Douglas Rain, and follows a voyage by astronauts, scientists and the sentient supercomputer HAL to Jupiter to investigate an alien monolith.

The film is noted for its scientifically accurate depiction of space flight, pioneering special effects, and ambiguous imagery. Kubrick avoided conventional cinematic and narrative techniques; dialogue is used sparingly, and there are long sequences accompanied only by music. The soundtrack incorporates numerous works of classical music, by composers including Richard Strauss, Johann Strauss II, Aram Khachaturian, and György Ligeti.

The film received diverse critical responses, ranging from those who saw it as darkly apocalyptic to those who saw it as an optimistic reappraisal of the hopes of humanity. Critics noted its exploration of themes such as human evolution, technology, artificial intelligence, and the possibility of extraterrestrial life. It was nominated for four Academy Awards, winning Kubrick the award for his direction of the visual effects. The film is now widely regarded as one of the greatest and most influential films ever made. In 1991, it was selected by the United States Library of Congress for preservation in the National Film Registry. In 2022, 2001: A Space Odyssey placed in the top ten of Sight & Sound's decennial critics' poll, and topped their directors' poll.

🔗 Philosophy 🔗 Philosophy/Logic 🔗 Business 🔗 Philosophy/Philosophy of science 🔗 Science

Wronger than wrong is a statement that equates two errors when one of the errors is clearly more wrong than the other. It was described by Michael Shermer as Asimov's axiom. The mistake was discussed in Isaac Asimov's book of essays The Relativity of Wrong as well as in a 1989 article of the same name in the Fall 1989 issue of the Skeptical Inquirer:

When people thought the Earth was flat, they were wrong. When people thought the Earth was spherical, they were wrong. But if you think that thinking the Earth is spherical is just as wrong as thinking the Earth is flat, then your view is wronger than both of them put together.

Asimov explained that science is both progressive and cumulative. Even though scientific theories are later proven wrong, the degree of their wrongness attenuates with time as they are modified in response to the mistakes of the past. For example, data collected from satellite measurements show, to a high level of precision, how the Earth's shape differs from a perfect sphere or even an oblate spheroid or a geoid.

Shermer stated that being wronger than wrong is actually worse than being not even wrong (that is, being unfalsifiable).

According to John Jenkins, who reviewed The Relativity of Wrong, the title essay of Asimov's book is the one "which I think is important both for understanding Asimov's thinking about science and for arming oneself against the inevitable anti-science attack that one often hears – [that] theories are always preliminary and science really doesn't 'know' anything."

🔗 Disaster management 🔗 Ukraine

The Kramatorsk radiological accident was a radiation accident that happened in Kramatorsk, in the Ukrainian SSR from 1980 to 1989. A small capsule containing highly radioactive caesium-137 was found inside the concrete wall of an apartment building, with a surface gamma radiation exposure dose rate of 1800 R/year. The capsule was detected only after residents requested that the level of radiation in the apartment be measured by a health physicist.

The capsule was originally part of a radiation level gauge and was lost in the Karansky quarry in the late 1970s. The search for the capsule was unsuccessful and ended after a week. The gravel from the quarry was used in construction. The caesium capsule ended up in the concrete panel of apartment 85 of building 7 on Mariyi Pryimachenko Street (at the time under the Soviet name Gvardeytsiv Kantemirovtsiv), between apartments 85 and 52.

Over nine years, two families lived in apartment 85. A child's bed was located directly next to the wall containing the capsule. The apartment was fully settled in 1980. A year later, an 18-year-old woman who lived there suddenly died. In 1982, her 16-year-old brother followed, and then their mother. Even after that the flat did not attract much public attention, despite the fact that the residents all died from leukemia. Doctors were unable to determine root-cause of illness and explained the diagnosis by poor heredity. A new family moved into the apartment, and their son died from leukemia as well. His father managed to start a detailed investigation, during which the vial was found in the wall in 1989.

By the time the capsule was discovered, four residents of the building had died from it and 17 more had received varying doses of radiation. Part of the wall was removed and sent to the Institute for Nuclear Research, where the caesium capsule was removed, identified by serial number and disposed of.