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🔗 Classical Greece and Rome 🔗 Greece

The Delphic Hymns are two musical compositions from Ancient Greece, which survive in substantial fragments. They were long regarded as being dated c. 138 BC and 128 BC, respectively, but recent scholarship has shown it likely they were both written for performance at the Athenian Pythaides in 128 BC. If indeed it dates from ten years before the second, the First Delphic Hymn is the earliest unambiguous surviving example of notated music from anywhere in the western world whose composer is known by name. Inscriptions indicate that the First Delphic Hymn was written by Athenaeus, son of Athenaeus, while Limenius is credited the Second Delphic Hymn's composer.

🔗 Death 🔗 Classical Greece and Rome 🔗 Archaeology

The Hagia Triada Sarcophagus is a late Minoan 137 cm (54 in)-long limestone sarcophagus, dated to about 1400 BC or some decades later, excavated from a chamber tomb at Hagia Triada, Crete in 1903, and now on display in the Heraklion Archaeological Museum ("AMH") in Crete.

Uniquely for such a piece from this date on Crete, it is coated in plaster and painted in fresco on all faces. Otherwise the Minoans (unlike the ancient Egyptians) only used frescoes to decorate palaces and houses for the enjoyment of the living and not in funerary practice. It is the only limestone sarcophagus of its era discovered to date; there are a number of smaller terracotta "ash-chests" (larnax), painted far more crudely, usually in a single colour. It is the only object with a series of narrative scenes of Minoan funerary ritual (later sarcophagi found in the Aegean were decorated with abstract designs and patterns). It was probably originally used for the burial of a prince.

It provides probably the most comprehensive iconography of a pre-Homeric thysiastikis ceremony and one of the best pieces of information on noble burial customs when Crete was under Mycenaean rule, combining features of Minoan and Mycenaean style and subject matter, as well as probable influence from Ancient Egyptian religion.

🔗 Military history 🔗 Military history/Military science, technology, and theory 🔗 Military history/Weaponry 🔗 Classical Greece and Rome 🔗 Military history/Classical warfare

Polybolos, meaning "multi thrower" in Greek, was an ancient Greek repeating ballista reputedly invented by Dionysius of Alexandria, a 3rd-century BC Greek engineer at the Rhodes arsenal, and used in antiquity.

Philo of Byzantium encountered and described a weapon similar to the polybolos, a catapult that like a modern machine gun could fire again and again without a need to reload. Philo left a detailed description of the gears that powered its chain drive, the oldest known application of such a mechanism, and that placed bolt after bolt into its firing slot.

🔗 Italy 🔗 Classical Greece and Rome 🔗 Athletics 🔗 Highways 🔗 Road transport 🔗 Highways/European Highways

The Appian Way (Latin and Italian: Via Appia) is one of the earliest and strategically most important Roman roads of the ancient republic. It connected Rome to Brindisi, in southeast Italy. Its importance is indicated by its common name, recorded by Statius, of Appia longarum... regina viarum ("the Appian Way, the queen of the long roads").

The road is named after Appius Claudius Caecus, the Roman censor who began and completed the first section as a military road to the south in 312 BC during the Samnite Wars.

🔗 Religion 🔗 Death 🔗 Classical Greece and Rome 🔗 Greece

The Nekromanteion (Greek: Νεκρομαντεῖον) was an ancient Greek temple of necromancy devoted to Hades and Persephone. According to tradition, it was located on the banks of the Acheron river in Epirus, near the ancient city of Ephyra. This site was believed by devotees to be the door to Hades, the realm of the dead. The site is at the meeting point of the Acheron, Pyriphlegethon and Cocytus rivers, believed to flow through and water the kingdom of Hades. The meaning of the names of the rivers has been interpreted to be "joyless", "burning coals" and "lament", respectively.

A site in Mesopotamos, Epirus was proposed as the site of the Necromanteion in 1958, but this identification is now questioned.

🔗 Olympics 🔗 Classical Greece and Rome 🔗 Greece 🔗 Martial arts 🔗 Mixed martial arts

Pankration (; Greek: παγκράτιον) was a sporting event introduced into the Greek Olympic Games in 648 BC and was an empty-hand submission sport with scarcely any rules. The athletes used boxing and wrestling techniques, but also others, such as kicking and holds, locks and chokes on the ground. The term comes from the Greek παγκράτιον [paŋkrátion], literally meaning "all of power" from πᾶν (pan) "all" and κράτος (kratos) "strength, might, power".

It was known in ancient times for its ferocity and allowance of such tactics as knees to the head and eye gouging. One ancient account tells of a situation in which the judges were trying to determine the winner of a match. The difficulty lay in that fact that both men had died in the arena from their injuries, making it hard to determine a victor. Eventually, the judges decided the winner was the one who didn't have his eyes gouged out. Over time, however, maneuvers like eye gouging were discouraged to prevent such unpleasant incidents.

🔗 Classical Greece and Rome 🔗 Latin 🔗 Rome

The Duenos inscription is one of the earliest known Old Latin texts, variously dated from the 7th to the 5th century BC. It is inscribed on the sides of a kernos, in this case a trio of small globular vases adjoined by three clay struts. It was found by Heinrich Dressel in 1880 on the Quirinal Hill in Rome. The kernos is part of the collection of the Staatliche Museen in Berlin (inventory no. 30894,3).

The inscription is written right to left in three units, without spaces to separate words. It is difficult to translate, as some letters are hard to distinguish, particularly since they cannot always be deduced by context. The absence of spaces causes additional difficulty in assigning the letters to the respective words.

🔗 Religion 🔗 Classical Greece and Rome 🔗 Greece 🔗 India 🔗 Pakistan 🔗 Buddhism 🔗 India/Indian history workgroup 🔗 Pakistan/Pakistani history

Greco-Buddhism, or Graeco-Buddhism, is the cultural syncretism between Hellenistic culture and Buddhism, which developed between the 4th century BC and the 5th century AD in Gandhara, in present-day north-western Pakistan and parts of north-east Afghanistan.

It was a cultural consequence of a long chain of interactions begun by Greek forays into the Indian subcontinent from the time of Alexander the Great. A few years after Alexander's death, the Easternmost fringes of the empire of his general Seleucus were lost in a war with the Mauryan Empire, under the reign of Chandragupta Maurya. The Mauryan Emperor Ashoka would convert to Buddhism and spread the religious philosophy throughout his domain, as recorded in the Edicts of Ashoka. This spread to the Greco-Bactrian kingdom, which itself seceded from the Seleucid empire. Within its borders, the Greek fondness for statuary produced the first statues of the Buddha, leading ultimately to the modern tradition.

Following the collapse of the Mauryan Empire, Greco-Buddhism continued to flourish under the Greco-Bactrian Kingdom, Indo-Greek Kingdoms, and Kushan Empire. Mahayana Buddhism was spread from the Gangetic plains in India into Gandhara and then Central Asia during the Mauryan Era, where it became the most prevalent branch of Buddhism in Central Asia. Mahayana Buddhism was later transmitted through the Silk Road into the Han Dynasty during the Kushan era under the reign of Emperor Kanishka. Buddhist tradition details the monk, Majjhantika of Varanasi, was made responsible for spreading Buddhism in the region by Emperor Ashoka.

🔗 Classical Greece and Rome 🔗 Greece 🔗 Linguistics 🔗 Languages

The pre-Greek substrate (or substratum) consists of the unknown pre-Greek language or languages (either Pre-Indo-European or other Indo-European languages) spoken in prehistoric Greece prior to the emergence of the Proto-Greek language in the region c. 3200–2200 BC, during the Early Helladic period. About 1,000 words of Greek vocabulary cannot be adequately explained as derivatives from Proto-Greek or Proto-Indo-European, leading to the substratum hypothesis.

🔗 Books 🔗 Classical Greece and Rome 🔗 Latin

Pēdīcābō ego vōs et irrumābō ("I will sodomize and face-fuck you") is the first line, sometimes used as a title, of Carmen 16 in the collected poems of Gaius Valerius Catullus (c. 84 BC – c. 54 BC). The poem, written in a hendecasyllabic (11-syllable) meter, was considered so explicit that a full English translation was not published until the late twentieth century. The first line has been called "one of the filthiest expressions ever written in Latin—or in any other language, for that matter."

Carmen 16 is significant in literary history as an artistic work censored for its obscenity, but also because the poem raises questions about the proper relation of the poet, or his life, to the work. Later Latin poets referenced the poem not for its invective, but as a justification for subject matter that challenged the prevailing decorum or moral orthodoxy. Ovid, Pliny the Younger, Martial, and Apuleius all invoked the authority of Catullus in asserting that while the poet should be a respectable person, his work should not be constrained or restricted.