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🔗 Crime 🔗 Classical Greece and Rome 🔗 Greece 🔗 Egypt

Papyrus Oxyrhynchus 69 (P. Oxy. 69) is a complaint about a robbery, written in Greek. The manuscript was written on papyrus in the form of a sheet. It was discovered by Grenfell and Hunt in 1897 in Oxyrhynchus. The document was written on 21 November 190. Currently it is housed in the Haskell Oriental Institute at the University of Chicago (2061). The text was published by Grenfell and Hunt in 1898.

The beginning of the letter is lost. It is a petition to an unknown official describing the theft of some barley and asking that an investigation be carried out. The author is unknown. The measurements of the fragment are 178 by 115 mm. The description of the crime scene is quite detailed:

... they broke down a door that led into the public street and had been blocked up with bricks, probably using a log of wood as a battering-ram. They then entered the house and contented themselves with taking what was stored there, 10 artabae of barley, which they carried off by the same way. We guessed that this was removed piecemeal by the said door from the marks of a rope dragged along in that direction, and pointed out this fact to the chief of the police of that village and to the other officials.

10 artabae are equivalent to approximately 30–40 kilograms (66–88 lb) of barley.

🔗 Military history 🔗 Military history/Military science, technology, and theory 🔗 Books 🔗 Classical Greece and Rome 🔗 Greece 🔗 Middle Ages 🔗 Middle Ages/History 🔗 Military history/Roman and Byzantine military history 🔗 Military history/Medieval warfare 🔗 Greece/Byzantine world 🔗 Military history/Balkan military history 🔗 Military history/European military history

The Strategikon or Strategicon (Greek: Στρατηγικόν) is a manual of war traditionally regarded as written in the late 6th century and usually attributed to the Byzantine Emperor Maurice. It is moreover a practical manual, "a rather modest elementary handbook" in the words of its introduction, "for those devoting themselves to generalship". This book gives a general guide, handbook, of the Byzantine military's strategies. In his introduction to his 1984 translation of the text, George T. Dennis noted "The Strategikon is written in a very straightforward and generally uncomplicated Greek."

The Strategikon may have been written in an effort to codify the military reforms brought about by the soldier-emperor Maurice. There is debate in academic circles as to the true author of the Strategikon. Maurice may have only commissioned it; perhaps his brother Peter, or another general of his court, was the true author. The dating is also debated. If it was written in the 6th century, the Strategikon may have been produced to codify the experience of the Balkan and Persian campaigns, or the campaigns may have been carried out in compliance with the manual. However, starting in the late 19th century, some historians have argued for a later date in the eighth or ninth century, on philological or technological grounds. In any case, it is considered one of the most important military texts of the medieval years, along with the 10th century military treatises attributed to the Byzantine emperors Leo VI (Tactica) and Nicephorus Phocas (De velitatione and Praecepta Militaria); Leo's Tactica in particular drew heavily from the Strategikon.

The text consists of 12 chapters, or "books", on various aspects of the tactics employed by the Byzantine military of the 6th and 7th century A.D. It is primarily focused on cavalry tactics and formations, yet it also elaborates on matters of infantry, sieges, baggage trains, drilling and marching. The author was familiar with classical military treatises, especially Onasander and Aelian, which he used as conceptional models rather than sources of content. Each book has a general topic to be discussed, and each book goes into great detail even separating each book further into subsections and including maps. These maps are not large and extravagant but more symbols to show positions and a standard design of the formations the Byzantine military used at this time. Books seven and eight contain practical advice to the General in the form of instructions and maxims. The eleventh book has ethnographic interest, with its portrayal of various Byzantine enemies (Franks, Lombards, Avars, Turks, and Slavs). The Strategikon also belongs to Byzantine legal literature, since it contains a list of military infractions and their suitable penalties.

🔗 Iran 🔗 Classical Greece and Rome 🔗 Dams 🔗 Bridges and Tunnels

The Band-e Kaisar (Persian: بند قیصر, "Caesar's dam"‎), Pol-e Kaisar ("Caesar's bridge"), Bridge of Valerian or Shadirwan was an ancient arch bridge in Shushtar, Iran, and the first in the country to combine it with a dam. Built by the Sassanids, using Roman prisoners of war as workforce, in the 3rd century AD on Sassanid order, it was also the most eastern example of Roman bridge design and Roman dam, lying deep in Persian territory. Its dual-purpose design exerted a profound influence on Iranian civil engineering and was instrumental in developing Sassanid water management techniques.

The approximately 500 m long overflow dam over the Karun, Iran's most effluent river, was the core structure of the Shushtar Historical Hydraulic System (سازه‌های آبی شوشتر) from which the city derived its agricultural productivity, and which has been designated by the UNESCO as Iran's 10th World Heritage Site in 2009. The arched superstructure carried across the important road between Pasargadae and the Sassanid capital Ctesiphon. Many times repaired in the Islamic period, the dam bridge remained in use until the late 19th century.

🔗 London 🔗 British Museum 🔗 Classical Greece and Rome 🔗 History of Science 🔗 Archaeology 🔗 Visual arts 🔗 Glass

The Lycurgus Cup is a 4th-century Roman glass cage cup made of a dichroic glass, which shows a different colour depending on whether or not light is passing through it: red when lit from behind and green when lit from in front. It is the only complete Roman glass object made from this type of glass, and the one exhibiting the most impressive change in colour; it has been described as "the most spectacular glass of the period, fittingly decorated, which we know to have existed".

The cup is also a very rare example of a complete Roman cage-cup, or diatretum, where the glass has been painstakingly cut and ground back to leave only a decorative "cage" at the original surface-level. Many parts of the cage have been completely undercut. Most cage-cups have a cage with a geometric abstract design, but here there is a composition with figures, showing the mythical King Lycurgus, who (depending on the version) tried to kill Ambrosia, a follower of the god Dionysus (Bacchus to the Romans). She was transformed into a vine that twined around the enraged king and restrained him, eventually killing him. Dionysus and two followers are shown taunting the king. The cup is the "only well-preserved figural example" of a cage cup.

The dichroic effect is achieved by making the glass with tiny proportions of nanoparticles of gold and silver dispersed in colloidal form throughout the glass material. The process used remains unclear, and it is likely that it was not well understood or controlled by the makers, and was probably discovered by accidental "contamination" with minutely ground gold and silver dust. The glass-makers may not even have known that gold was involved, as the quantities involved are so tiny; they may have come from a small proportion of gold in any silver added (most Roman silver contains small proportions of gold), or from traces of gold or gold leaf left by accident in the workshop, as residue on tools, or from other work. The very few other surviving fragments of Roman dichroic glass vary considerably in their two colours.

🔗 Classical Greece and Rome 🔗 Linguistics

A laconic phrase or laconism is a concise or terse statement, especially a blunt and elliptical rejoinder. It is named after Laconia, the region of Greece including the city of Sparta, whose ancient inhabitants had a reputation for verbal austerity and were famous for their blunt and often pithy remarks.

🔗 Philosophy 🔗 Classical Greece and Rome 🔗 Greece 🔗 Philosophy/Social and political philosophy 🔗 Women's History 🔗 Philosophy/Ancient philosophy

Aristotle's views on women influenced later Western thinkers, as well as Islamic thinkers, who quoted him as an authority until the end of the Middle Ages, influencing women's history.

In his Politics, Aristotle saw women as subject to men, but as higher than slaves, and lacking authority; he believed the husband should exert political rule over the wife. Among women's differences from men were that they were, in his view, more impulsive, more compassionate, more complaining, and more deceptive. He gave the same weight to women's happiness as to men's, and in his Rhetoric stated that society could not be happy unless women were happy too. Whereas Plato was open to the potential equality of men and women, stating both that women were not equal to men in terms of strength and virtue, but were equal to men in terms of rational and occupational capacity, and hence in the ideal Republic should be educated and allowed to work alongside men without differentiation, Aristotle appears to have disagreed.

In his theory of inheritance, Aristotle considered the mother to provide a passive material element to the child, while the father provided an active, ensouling element with the form of the human species.

🔗 Classical Greece and Rome 🔗 Greece 🔗 Middle Ages 🔗 Middle Ages/History 🔗 Sociology 🔗 Sports 🔗 Greece/Byzantine world

The Nika riots (Greek: Στάσις τοῦ Νίκα, romanized: Stásis toû Níka), Nika revolt or Nika sedition took place against Byzantine emperor Justinian I in Constantinople over the course of a week in 532 C.E. They are often regarded as the most violent riots in the city's history, with nearly half of Constantinople being burned or destroyed and tens of thousands of people killed.

🔗 Classical Greece and Rome 🔗 Greece 🔗 Theatre

In the theatre of ancient Greece, the eirôn (Ancient Greek: εἴρων) was one of three stock characters in comedy. The eirôn usually succeeded in bringing down his braggart opponent (the alazôn) by understating his own abilities.