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🔗 Video games 🔗 Film 🔗 Television 🔗 Science Fiction

Black Mirror: Bandersnatch is a 2018 interactive film in the science fiction anthology series Black Mirror. It was written by series creator Charlie Brooker and directed by David Slade. Netflix released the standalone film on 28 December 2018.

In Bandersnatch, viewers make decisions for the main character, the young programmer Stefan Butler (Fionn Whitehead), who is adapting a fantasy choose-your-own-adventure novel into a video game in 1984. Other characters include Mohan Thakur (Asim Chaudhry) and Colin Ritman (Will Poulter), both of whom work at a video game company, Butler's father, Peter (Craig Parkinson), and Butler's therapist, Dr. Haynes (Alice Lowe). The film is based on a planned Imagine Software video game of the same name which went unreleased after the company filed for bankruptcy. It also alludes to Lewis Carroll's own works that feature the bandersnatch creature. A piece of science fiction and horror, Bandersnatch incorporates meta-commentary and rumination on free will.

Brooker and executive producer Annabel Jones were approached by Netflix about making an interactive film in May 2017, during which time Netflix had several interactive projects for children underway. Difficulty in writing the highly non-linear script led to the creation of a bespoke program called Branch Manager for Netflix; the unique nature of the content required adaptations in the platform's use of cache memory. Filming and production took longer than for typical Black Mirror episodes, resulting in the show's fifth series being delayed. A quickly-deleted tweet from a Netflix account about the release of Bandersnatch led to widespread media speculation throughout December which Netflix declined to comment on. The trailer for Bandersnatch was released on 27 December 2018, a day before the film was released. Critical reception for the film was generally positive, though some found the interactive nature to be too gimmicky for a proper Black Mirror narrative. In 2019, the episode won two Emmy Awards, including the Outstanding Television Movie award.

🔗 Film 🔗 Television 🔗 Novels 🔗 Screenwriters

In fiction, a MacGuffin (sometimes McGuffin) is an object, device, or event that is necessary to the plot and the motivation of the characters, but insignificant, unimportant, or irrelevant in itself. The term was originated by Angus MacPhail for film, adopted by Alfred Hitchcock, and later extended to a similar device in other fiction.

The MacGuffin technique is common in films, especially thrillers. Usually, the MacGuffin is revealed in the first act, and thereafter declines in importance. It can reappear at the climax of the story but may actually be forgotten by the end of the story. Multiple MacGuffins are sometimes derisively identified as plot coupons.

🔗 Mass surveillance 🔗 Film 🔗 Film/American cinema 🔗 Science Fiction

THX 1138 is a 1971 American social science fiction film directed by George Lucas in his feature film directorial debut. It is set in a dystopian future in which the populace is controlled through android police and mandatory use of drugs that suppress emotions. Produced by Francis Ford Coppola and written by Lucas and Walter Murch, it stars Robert Duvall and Donald Pleasence.

THX 1138 was developed from Lucas's student film Electronic Labyrinth: THX 1138 4EB, which he made in 1967 while attending the USC School of Cinematic Arts. The feature film was produced in a joint venture between Warner Bros. and American Zoetrope. A novelization by Ben Bova was published in 1971. The film received mixed reviews from critics and failed to find box-office success on initial release; however, the film has subsequently received critical acclaim and gained a cult following, particularly in the aftermath of Lucas' success with Star Wars in 1977.

🔗 United States 🔗 Film 🔗 Television 🔗 New York City 🔗 Library of Congress 🔗 Film/American cinema 🔗 United States/Film - American cinema 🔗 Film/Core 🔗 Television/Television stations 🔗 Film/Canadian cinema

Network is a 1976 American satirical black comedy-drama film released by Metro-Goldwyn-Mayer, written by Paddy Chayefsky and directed by Sidney Lumet. It is about a fictional television network, UBS, and its struggle with poor ratings. The film stars Faye Dunaway, William Holden, Peter Finch (in his final film role), Robert Duvall, Wesley Addy, Ned Beatty, and Beatrice Straight.

Network received widespread critical acclaim, with particular praise for the performances. The film was a commercial success, with nine Oscar nominations at the 49th Academy Awards, including Best Picture, that led to four wins: Best Actor (Finch), Best Actress (Dunaway), Best Supporting Actress (Straight), and Best Original Screenplay.

In 2000, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". In 2002, it was inducted into the Producers Guild of America Hall of Fame as a film that has "set an enduring standard for American entertainment". In 2005, the two Writers Guilds of America voted Chayefsky's script one of the 10 greatest screenplays in the history of cinema. In 2007, the film was 64th among the 100 greatest American films as chosen by the American Film Institute, a ranking slightly higher than the one AFI had given it ten years earlier.

🔗 Film

Twin films are films with the same or similar plots produced and released at the same time by two different film studios. The phenomenon can result from two or more production companies investing in similar scripts at the same time, resulting in a race to distribute the films to audiences. Some attribute twin films to industrial espionage, the movement of staff between studios, or that the same screenplays are sent to several film studios before being accepted. Another possible explanation is if the films deal with topical issues, such as volcanic eruptions, reality television, terrorist attacks, or significant anniversaries, resulting in multiple discovery of the concept.

While twin films are often big budget films, a mockbuster can be made with a low budget, with similar titles, aesthetics, or theme as blockbuster films. Mockbusters are usually given more limited release and marketing, intending to take advantage of the public interest in the topic driven by the major film.

Producer Bingham Ray recalls a conversation where the screenwriter of the 2006 Truman Capote biopic Infamous phoned to announce that his script had been finished. Ray said "I know, I've got it on my desk!" before realizing that he actually had the screenplay to Capote, a biopic by a different writer.

🔗 Film 🔗 Military history 🔗 Military history/World War II 🔗 Japan 🔗 Military history/Asian military history 🔗 Military history/Japanese military history 🔗 Film/War films 🔗 Military history/War films 🔗 Anime and manga 🔗 Japan/Japanese cinema 🔗 Anime and manga/Studio Ghibli 🔗 Film/Japanese cinema 🔗 Film/Animated films

Grave of the Fireflies (Japanese: 火垂るの墓, Hepburn: Hotaru no Haka) is a 1988 Japanese animated war drama film written and directed by Isao Takahata, and produced by Studio Ghibli. It is based on the 1967 semi-autobiographical short story Grave of the Fireflies by Akiyuki Nosaka.

The film stars Tsutomu Tatsumi, Ayano Shiraishi, Yoshiko Shinohara and Akemi Yamaguchi. Set in the city of Kobe, Japan, it tells the story of siblings and war orphans Seita and Setsuko, and their desperate struggle to survive during the final months of World War II. Universally acclaimed, Grave of the Fireflies has been ranked as one of the greatest war films of all time and is recognized as a major work of Japanese animation.