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🔗 France 🔗 Philosophy 🔗 Philosophy/Philosophical literature 🔗 Books 🔗 Politics 🔗 Socialism 🔗 Philosophy/Social and political philosophy 🔗 Marketing & Advertising 🔗 Philosophy/Contemporary philosophy 🔗 Philosophy/Continental philosophy

The Society of the Spectacle (French: La société du spectacle) is a 1967 work of philosophy and Marxist critical theory by Guy Debord, in which the author develops and presents the concept of the Spectacle. The book is considered a seminal text for the Situationist movement. Debord published a follow-up book Comments on the Society of the Spectacle in 1988.

🔗 France 🔗 Basque

The Cagots (pronounced [ka.ɡo]) were a persecuted minority found in the west of France and northern Spain: the Navarrese Pyrenees, Basque provinces, Béarn, Aragón, Gascony and Brittany. Their name differed by province and the local language: Cagots, Gézitains, Gahets, and Gafets in Gascony; Agotes, Agotak, and Gafos in Basque country; Capots in Anjou and Languedoc; and Cacons, Cahets, Caqueux, and Caquins in Brittany. Evidence of the group exists back as far as AD 1000.

Cagots were shunned and hated; while restrictions varied by time and place, they were typically required to live in separate quarters in towns, called cagoteries, which were often on the far outskirts of the villages. Cagots were excluded from all political and social rights. They were not allowed to marry non-Cagots, enter taverns, hold cabarets, use public fountains, sell food or wine, touch food in the market, work with livestock, or enter mills. They were allowed to enter a church only by a special door and, during the service, a rail separated them from the other worshippers. Either they were altogether forbidden to partake of the sacrament, or the Eucharist was given to them on the end of a wooden spoon, while a holy water stoup was reserved for their exclusive use. They were compelled to wear a distinctive dress to which, in some places, was attached the foot of a goose or duck (whence they were sometimes called "Canards"). So pestilential was their touch considered that it was a crime for them to walk the common road barefooted or to drink from the same cup as non-Cagots. The Cagots were often restricted to the trades of carpenter, butcher, and rope-maker.

The Cagots were not an ethnic nor a religious group. They spoke the same language as the people in an area and generally kept the same religion as well. Their only distinguishing feature was their descent from families long identified as Cagots. Few consistent reasons were given as to why they were hated; accusations varied from Cagots being cretins, lepers, heretics, cannibals, to simply being intrinsically evil. The Cagots did have a culture of their own, but very little of it was written down or preserved; as a result, almost everything that is known about them relates to their persecution. The repression lasted through the Middle Ages, Renaissance, and Industrial Revolution, with the prejudice fading only in the 19th and 20th centuries.

🔗 Biography 🔗 France 🔗 Philosophy 🔗 Biography/science and academia 🔗 Philosophy/Philosophers 🔗 Philosophy/Epistemology 🔗 Philosophy/Modern philosophy 🔗 Libertarianism

Michel Eyquem, Seigneur de Montaigne ( mon-TAYN; French: [miʃɛl ekɛm də mɔ̃tɛɲ]; 28 February 1533 – 13 September 1592), known as Michel de Montaigne, was one of the most significant philosophers of the French Renaissance. He is known for popularizing the essay as a literary genre. His work is noted for its merging of casual anecdotes and autobiography with intellectual insight. Montaigne had a direct influence on numerous Western writers; his massive volume Essais contains some of the most influential essays ever written.

During his lifetime, Montaigne was admired more as a statesman than as an author. The tendency in his essays to digress into anecdotes and personal ruminations was seen as detrimental to proper style rather than as an innovation, and his declaration that "I am myself the matter of my book" was viewed by his contemporaries as self-indulgent. In time, however, Montaigne came to be recognized as embodying, perhaps better than any other author of his time, the spirit of freely entertaining doubt that began to emerge at that time. He is most famously known for his skeptical remark, ''Que sçay-je?" ("What do I know?", in Middle French; now rendered as "Que sais-je?" in modern French).

🔗 Mathematics 🔗 France

Nicolas Bourbaki (French pronunciation: ​[nikɔla buʁbaki]) is the collective pseudonym of a group of mathematicians, predominantly French alumni of the École normale supérieure (ENS). Founded in 1934–1935, the Bourbaki group originally intended to prepare a new textbook in analysis. Over time the project became much more ambitious, growing into a large series of textbooks published under the Bourbaki name, meant to treat modern pure mathematics. The series is known collectively as the Éléments de mathématique (Elements of Mathematics), the group's central work. Topics treated in the series include set theory, abstract algebra, topology, analysis, Lie groups and Lie algebras.

Bourbaki was founded in response to the effects of the First World War which caused the death of a generation of French mathematicians; as a result, young university instructors were forced to use dated texts. While teaching at the University of Strasbourg, Henri Cartan complained to his colleague André Weil of the inadequacy of available course material, which prompted Weil to propose a meeting with others in Paris to collectively write a modern analysis textbook. The group's core founders were Cartan, Claude Chevalley, Jean Delsarte, Jean Dieudonné and Weil; others participated briefly during the group's early years, and membership has changed gradually over time. Although former members openly discuss their past involvement with the group, Bourbaki has a custom of keeping its current membership secret.

The group's namesake derives from the 19th century French general Charles-Denis Bourbaki, who had a career of successful military campaigns before suffering a dramatic loss in the Franco-Prussian War. The name was therefore familiar to early 20th century French students. Weil remembered an ENS student prank in which an upperclassman posed as a professor and presented a "theorem of Bourbaki"; the name was later adopted.

The Bourbaki group holds regular private conferences for the purpose of drafting and expanding the Éléments. Topics are assigned to subcommittees, drafts are debated, and unanimous agreement is required before a text is deemed fit for publication. Although slow and labor-intensive, the process results in a work which meets the group's standards for rigour and generality. The group is also associated with the Séminaire Bourbaki, a regular series of lectures presented by members and non-members of the group, also published and disseminated as written documents. Bourbaki maintains an office at the ENS.

Nicolas Bourbaki was influential in 20th century mathematics, particularly during the middle of the century when volumes of the Éléments appeared frequently. The group is noted among mathematicians for its rigorous presentation and for introducing the notion of a mathematical structure, an idea related to the broader, interdisciplinary concept of structuralism. Bourbaki's work informed the New Math, a trend in elementary math education during the 1960s. Although the group remains active, its influence is considered to have declined due to infrequent publication of new volumes of the Éléments. However the collective's most recent publication appeared in 2016, treating algebraic topology.

🔗 Biography 🔗 Aviation 🔗 France 🔗 Biography/science and academia 🔗 Brazil 🔗 Aviation/aerospace biography project 🔗 Brazil/Education and Science in Brazil

Alberto Santos-Dumont (Brazilian Portuguese: [awˈbɛɾtu ˈsɐ̃tus duˈmõ]; 20 July 1873 – 23 July 1932) was a Brazilian inventor and aviation pioneer, one of the very few people to have contributed significantly to the development of both lighter-than-air and heavier-than-air aircraft.

The heir of a wealthy family of coffee producers, Santos-Dumont dedicated himself to aeronautical study and experimentation in Paris, where he spent most of his adult life. In his early career he designed, built, and flew hot air balloons and early dirigibles, culminating in his winning the Deutsch de la Meurthe prize on 19 October 1901 for a flight that rounded the Eiffel Tower. He then turned to heavier-than-air machines, and on 23 October 1906 his 14-bis made the first powered heavier-than-air flight in Europe to be certified by the Aéro-Club de France and the Fédération Aéronautique Internationale. His conviction that aviation would usher in an era of worldwide peace and prosperity led him to freely publish his designs and forego patenting his various innovations.

Santos-Dumont is a national hero in Brazil, where it is popularly held that he preceded the Wright brothers in demonstrating a practical airplane. Countless roads, plazas, schools, monuments, and airports there are dedicated to him, and his name is inscribed on the Tancredo Neves Pantheon of the Fatherland and Freedom. He was a member of the Brazilian Academy of Letters from 1931 until his suicide in 1932.

🔗 Biography 🔗 France 🔗 Middle Ages 🔗 Middle Ages/History 🔗 Biography/arts and entertainment 🔗 Christianity 🔗 Catholicism 🔗 Middle Ages/Crusades 🔗 Military history/Crusades 🔗 Belgium 🔗 Christianity/Christianity in China

William of Rubruck (Dutch: Willem van Rubroeck, Latin: Gulielmus de Rubruquis; fl. 1248–1255) was a Flemish Franciscan missionary and explorer.

He is best known for his travels to various parts of the Middle East and Central Asia in the 13th century, including the Mongol Empire. His account of his travels is one of the masterpieces of medieval travel literature, comparable to those of Marco Polo and Ibn Battuta.

🔗 Biography 🔗 Computing 🔗 France 🔗 Computing/Software

Fabrice Bellard (French pronunciation: ​[fa.bʁis bɛ.laʁ]) is a computer programmer who created the FFmpeg and QEMU software projects. He has also developed a number of other programs, including the Tiny C Compiler.

🔗 France 🔗 Atheism

The Cult of Reason (French: Culte de la Raison) was France's first established state-sponsored atheistic religion, intended as a replacement for Catholicism during the French Revolution. After holding sway for barely a year, in 1794 it was officially replaced by the rival Cult of the Supreme Being, promoted by Robespierre. Both cults were officially banned in 1802 by Napoleon Bonaparte with his Law on Cults of 18 Germinal, Year X.

🔗 International relations 🔗 France 🔗 Italy 🔗 Telecommunications 🔗 United Kingdom 🔗 Law Enforcement 🔗 Netherlands 🔗 Crime and Criminal Biography 🔗 Crime and Criminal Biography/Organized crime

EncroChat was a Europe-based communications network and service provider that offered modified smartphones allowing encrypted communication among subscribers. It was used primarily by organized crime members to plan criminal activities. Police infiltrated the network between at least March and June 2020 during a Europe-wide investigation. An unidentified source associated with EncroChat announced on the night of 12–13 June 2020 that the company would cease operations because of the police operation.

The service had around 60,000 subscribers at the time of its closure. As a result of police being able to read unencrypted EncroChat messages, at least 1,000 arrests had been made across Europe as of 22 December 2020.

🔗 Biography 🔗 France 🔗 Biography/science and academia 🔗 Biography/Actors and Filmmakers

Louis Aimé Augustin Le Prince (28 August 1841 – disappeared 16 September 1890, declared dead 16 September 1897) was a French artist and the inventor of an early motion-picture camera, possibly the first person to shoot a moving picture sequence using a single lens camera and a strip of (paper) film. He has been credited as the "Father of Cinematography", but his work did not influence the commercial development of cinema—owing at least in part to the great secrecy surrounding it.

A Frenchman who also worked in the United Kingdom and the United States, Le Prince's motion-picture experiments culminated in 1888 in Leeds, England. In October of that year, he filmed moving-picture sequences of family members in Roundhay Garden and his son playing the accordion, using his single-lens camera and Eastman's paper negative film. At some point in the following eighteen months he also made a film of Leeds Bridge. This work may have been slightly in advance of the inventions of contemporaneous moving-picture pioneers, such as the British inventors William Friese-Greene and Wordsworth Donisthorpe, and was years in advance of that of Auguste and Louis Lumière and William Kennedy Dickson (who did the moving image work for Thomas Edison).

Le Prince was never able to perform a planned public demonstration of his camera in the US because he mysteriously vanished; he was last known to be boarding a train on 16 September 1890. Multiple conspiracy theories have emerged about the reason for his disappearance, including: a murder set up by Edison, secret homosexuality, disappearance in order to start a new life, suicide because of heavy debts and failing experiments, and a murder by his brother over their mother's will. No conclusive evidence exists for any of these theories. In 2004, a police archive in Paris was found to contain a photograph of a drowned man bearing a strong resemblance to Le Prince who was discovered in the Seine just after the time of his disappearance, but it has been claimed that the body was too short to be Le Prince.

In early 1890, Edison workers had begun experimenting with using a strip of celluloid film to capture moving images. The first public results of these experiments were shown in May 1891. However, Le Prince's widow and son Adolphe were keen to advance Louis's cause as the inventor of cinematography. In 1898, Adolphe appeared as a witness for the defence in a court case brought by Edison against the American Mutoscope Company. This suit claimed that Edison was the first and sole inventor of cinematography, and thus entitled to royalties for the use of the process. Adolphe was involved in the case but was not allowed to present his father's two cameras as evidence, although films shot with cameras built according to his father's patent were presented. Eventually the court ruled in favour of Edison. A year later that ruling was overturned, but Edison then reissued his patents and succeeded in controlling the US film industry for many years.