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🔗 Middle Ages 🔗 Middle Ages/History 🔗 Celts 🔗 Writing systems 🔗 Ireland 🔗 Medieval Scotland

Ogham (Modern Irish: [ˈoː(ə)mˠ]; Middle Irish: ogum, ogom, later ogam [ˈɔɣəmˠ]) is an Early Medieval alphabet used primarily to write the early Irish language (in the "orthodox" inscriptions, 4th to 6th centuries AD), and later the Old Irish language (scholastic ogham, 6th to 9th centuries). There are roughly 400 surviving orthodox inscriptions on stone monuments throughout Ireland and western Britain, the bulk of which are in southern Munster. The largest number outside Ireland are in Pembrokeshire, Wales.

The vast majority of the inscriptions consist of personal names.

According to the High Medieval Bríatharogam, the names of various trees can be ascribed to individual letters. For this reason, ogam is sometimes known as the Celtic tree alphabet.

The etymology of the word ogam or ogham remains unclear. One possible origin is from the Irish og-úaim 'point-seam', referring to the seam made by the point of a sharp weapon.

🔗 History 🔗 East Asia 🔗 Middle Ages 🔗 Middle Ages/History 🔗 Mongols

The Pax Mongolica (Latin for "Mongol Peace"), less often known as Pax Tatarica ("Tatar Peace"), is a historiographical term modelled after the original phrase Pax Romana which describes the stabilizing effects of the conquests of the Mongol Empire on the social, cultural and economic life of the inhabitants of the vast Eurasian territory that the Mongols conquered in the 13th and 14th centuries. The term is used to describe the eased communication and commerce the unified administration helped to create and the period of relative peace that followed the Mongols' vast conquests.

The conquests of Genghis Khan (r. 1206–1227) and his successors, spanning from Southeast Asia to Eastern Europe, effectively connected the Eastern world with the Western world. The Silk Road, connecting trade centres across Asia and Europe, came under the sole rule of the Mongol Empire. It was commonly said that "a maiden bearing a nugget of gold on her head could wander safely throughout the realm". Despite the political fragmentation of the Mongol Empire into four khanates (Yuan dynasty, Golden Horde, Chagatai Khanate and Ilkhanate), nearly a century of conquest and civil war was followed by relative stability in the early 14th century. The end of the Pax Mongolica was marked by the disintegration of the khanates and the outbreak of the Black Death in Asia which spread along trade routes to much of the world in the mid-14th century.

During this time, Mongol elements including the ʼPhags-pa script made numerous appearances in western art (see Mongol elements in Western medieval art).

🔗 Death 🔗 England 🔗 Middle Ages 🔗 Middle Ages/History 🔗 Visual arts 🔗 Lincolnshire 🔗 Hertfordshire

The Eleanor crosses were a series of twelve tall and lavishly decorated stone monuments topped with crosses erected in a line down part of the east of England. King Edward I had them built between 1291 and about 1295 in memory of his beloved wife Eleanor of Castile. The King and Queen had been married for 36 years and she stayed by the King’s side through his many travels. While on a royal progress, she died in the East Midlands in November 1290, perhaps due to fever. The crosses, erected in her memory, marked the nightly resting-places along the route taken when her body was transported to Westminster Abbey near London.

The crosses stood at Lincoln, Grantham and Stamford, all in Lincolnshire; Geddington and Hardingstone in Northamptonshire; Stony Stratford in Buckinghamshire; Woburn and Dunstable in Bedfordshire; St Albans and Waltham (now Waltham Cross) in Hertfordshire; Cheapside in London; and Charing (now Charing Cross) in Westminster.

Three of the medieval monuments – those at Geddington, Hardingstone and Waltham Cross – survive more or less intact; but the other nine, other than a few fragments, are lost. The largest and most ornate of the twelve was the Charing Cross. Several memorials and elaborated reproductions of the crosses have been erected, including the Queen Eleanor Memorial Cross at Charing Cross Station (built 1865).

🔗 Military history 🔗 Military history/Military science, technology, and theory 🔗 Military history/Weaponry 🔗 Middle Ages 🔗 Middle Ages/History

A steam cannon is a cannon that launches a projectile using only heat and water, or using a ready supply of high-pressure steam from a boiler. The first steam cannon was designed by Archimedes during the Siege of Syracuse. Leonardo Da Vinci was also known to have designed one (see the Architonnerre).

The early device would consist of a large metal tube, preferably copper due to its high thermal conductivity, which would be placed in a furnace. One end of the tube would be capped and the other loaded with a projectile. Once the tube reached a high enough temperature, a small amount of water would be injected in behind the projectile. In theory, Leonardo da Vinci believed, the water would rapidly expand into vapour, blasting the projectile out the front of the barrel.

🔗 France 🔗 Middle Ages 🔗 Middle Ages/History

The Bal des Ardents (Ball of the Burning Men) or Bal des Sauvages (Ball of the Wild Men) was a masquerade ball held on 28 January 1393 in Paris at which Charles VI of France performed in a dance with five members of the French nobility. Four of the dancers were killed in a fire caused by a torch brought in by a spectator, Charles's brother Louis I, Duke of Orléans. Charles and another of the dancers survived. The ball was one of a number of events intended to entertain the young king, who the previous summer had suffered an attack of insanity. The event undermined confidence in Charles's capacity to rule; Parisians considered it proof of courtly decadence and threatened to rebel against the more powerful members of the nobility. The public's outrage forced the king and his brother Orléans, whom a contemporary chronicler accused of attempted regicide and sorcery, to offer penance for the event.

Charles's wife, Isabeau of Bavaria, held the ball to honor the remarriage of a lady-in-waiting. Scholars believe the dance performed at the ball had elements of traditional charivari, with the dancers disguised as wild men, mythical beings often associated with demonology, that were commonly represented in medieval Europe and documented in revels of Tudor England. The event was chronicled by contemporary writers such as the Monk of St Denis and Jean Froissart, and illustrated in a number of 15th-century illuminated manuscripts by painters such as the Master of Anthony of Burgundy. The incident later provided inspiration for Edgar Allan Poe's short story Hop-Frog.

🔗 Books 🔗 Middle Ages 🔗 Middle Ages/History 🔗 Visual arts

The Black Hours, MS M.493 (or the Morgan Black Hours) is an illuminated book of hours completed in Bruges between 1460 and 1475. It consists of 121 pages (leaves), with Latin text written in Gothic minuscule script. The words are arranged in rows of fourteen lines and follow the Roman version of the texts. The lettering is inscribed in silver and gold and placed within borders ornamented with flowers, foliage and grotesques, on pages dyed a deep blueish black. It contains fourteen full-page miniatures and opens with the months of the liturgical calendar (folios 3 verso – 14 recto), followed by the Hours of the Virgin, and ends with the Office of the Dead (folio 121v).

MS M.493 has been in the collection of the Morgan Library & Museum, New York, since 1912. It is one of seven surviving black books of hours, all originating from Bruges and dated to the mid-to-late 15th century. They are so named for their unusual dark blueish appearance, a colourisation achieved through the expensive process of dyeing the vellum with iron gall ink. This dye is very corrosive and the surviving examples are mostly badly decomposed; MS M.493 is in relatively good condition due to its very thick parchment.

The book is a masterpiece of Late Gothic manuscript illumination. However, no records survive of its commission, but its uniquely dark tone, expense of production, quality and rarity suggest ownership by privileged and sophisticated members of the Burgundian court. The book is often attributed, on stylistic grounds, to a follower of Willem Vrelant, a leading and influential Flemish illuminator.

🔗 Books 🔗 England 🔗 Middle Ages 🔗 Middle Ages/History 🔗 Food and drink

The Forme of Cury (The Method of Cooking, cury from Middle French cuire: 'to cook') is an extensive 14th-century collection of medieval English recipes. Although the original manuscript is lost, the text appears in nine manuscripts, the most famous in the form of a scroll with a headnote citing it as the work of "the chief Master Cooks of King Richard II". The name The Forme of Cury is generally used for the family of recipes rather than any single manuscript text. It is among the oldest extant English cookery books, and the earliest known to mention olive oil, gourds, and spices such as mace and cloves.

🔗 Law 🔗 England 🔗 Middle Ages 🔗 Middle Ages/History

The Charter of the Forest of 1217 (Latin: Carta Foresta) is a charter that re-established for free men rights of access to the royal forest that had been eroded by William the Conqueror and his heirs. Many of its provisions were in force for centuries afterwards. It was originally sealed in England by the young King Henry III, acting under the regency of William Marshall, 1st Earl of Pembroke. It was in many ways a companion document to Magna Carta, and redressed some applications of the Anglo-Norman Forest Law that had been extended and abused by William Rufus.

🔗 History 🔗 Middle Ages 🔗 Middle Ages/History

The Nine Worthies are nine historical, scriptural, and legendary personages who personify the ideals of chivalry established in the Middle Ages, whose lives were deemed a valuable study for aspirants to chivalric status. All were commonly referred to as 'Princes', regardless of their historical titles. In French they are called Les Neuf Preux or "Nine Valiants", giving a more specific idea of the moral virtues they exemplified: those of soldierly courage and generalship. In Italy they are i Nove Prodi.

The Nine Worthies include three pagans (Hector, Alexander the Great and Julius Caesar), three Jews (Joshua, David and Judas Maccabeus) and three Christians (King Arthur, Charlemagne and Godfrey of Bouillon).

🔗 France 🔗 Architecture 🔗 Middle Ages 🔗 Middle Ages/History 🔗 Catholicism

Cluny Abbey (French: [klyni]; formerly also Cluni, or Clugny) is a former Benedictine monastery in Cluny, Saône-et-Loire, France. It was dedicated to St Peter.

The abbey was constructed in the Romanesque architectural style, with three churches built in succession from the 4th to the early 12th centuries. The earliest basilica was the world's largest church until the St. Peter's Basilica construction began in Rome.

Cluny was founded by Duke William I of Aquitaine in 910. He nominated Berno as the first abbot of Cluny, subject only to Pope Sergius III. The abbey was notable for its stricter adherence to the Rule of St. Benedict, whereby Cluny became acknowledged as the leader of western monasticism. The establishment of the Benedictine Order was a keystone to the stability of European society that was achieved in the 11th century. In 1790 during the French Revolution, the abbey was sacked and mostly destroyed, with only a small part surviving.

Starting around 1334, the Abbots of Cluny maintained a townhouse in Paris known as the Hôtel de Cluny, which has been a public museum since 1843. Apart from the name, it no longer possesses anything originally connected with Cluny.