Topic: Philosophy (Page 3)

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πŸ”— Molyneux's problem

πŸ”— Philosophy πŸ”— Philosophy/Philosophy of science πŸ”— Philosophy/Epistemology

Molyneux's problem is a thought experiment in philosophy concerning immediate recovery from blindness. It was first formulated by William Molyneux, and notably referred to in John Locke's An Essay Concerning Human Understanding (1689). The problem can be stated in brief, "if a man born blind can feel the differences between shapes such as spheres and cubes, could he, if given the ability to see, distinguish those objects by sight alone, in reference to the tactile schemata he already possessed?"

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πŸ”— The Two Cultures

πŸ”— Philosophy πŸ”— Books πŸ”— Philosophy/Philosophy of science πŸ”— Science

The Two Cultures is the first part of an influential 1959 Rede Lecture by British scientist and novelist C. P. Snow which were published in book form as The Two Cultures and the Scientific Revolution the same year. Its thesis was that science and the humanities which represented "the intellectual life of the whole of western society" had become split into "two cultures" and that this division was a major handicap to both in solving the world's problems.

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πŸ”— 90 percent of everything is crap

πŸ”— Philosophy πŸ”— Science Fiction πŸ”— Literature πŸ”— Philosophy/Epistemology

Sturgeon's revelation (as expounded by Theodore Sturgeon), referred to as Sturgeon's law, is an adage cited as "ninety percent of everything is crap." The sentence derives from quotations by Sturgeon, an American science fiction author and critic; although Sturgeon coined another adage he termed "Sturgeon's law", the "ninety percent crap" remark became Sturgeon's law.

The phrase was derived from Sturgeon's observation while science fiction was often derided for its low quality by critics, the majority of examples of works in other fields could equally be seen to be of low quality, and science fiction was thus no different in that regard from other art forms.

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πŸ”— Retrofuturism

πŸ”— Architecture πŸ”— Philosophy πŸ”— Philosophy/Aesthetics πŸ”— Science Fiction πŸ”— Visual arts πŸ”— Popular Culture πŸ”— Fashion πŸ”— Sculpture

Retrofuturism (adjective retrofuturistic or retrofuture) is a movement in the creative arts showing the influence of depictions of the future produced in an earlier era. If futurism is sometimes called a "science" bent on anticipating what will come, retrofuturism is the remembering of that anticipation. Characterized by a blend of old-fashioned "retro styles" with futuristic technology, retrofuturism explores the themes of tension between past and future, and between the alienating and empowering effects of technology. Primarily reflected in artistic creations and modified technologies that realize the imagined artifacts of its parallel reality, retrofuturism can be seen as "an animating perspective on the world". However, it has also manifested in the worlds of fashion, architecture, design, music, literature, film, and video games.

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πŸ”— Paradox of tolerance

πŸ”— Philosophy πŸ”— Philosophy/Social and political philosophy

The paradox of tolerance states that if a society is tolerant without limit, its ability to be tolerant is eventually seized or destroyed by the intolerant. Karl Popper described it as the seemingly paradoxical idea that, "In order to maintain a tolerant society, the society must be intolerant of intolerance." The paradox of tolerance is an important concept for thinking about which boundaries can or should be set.

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πŸ”— Spaceship Earth

πŸ”— Environment πŸ”— Economics πŸ”— Philosophy



Spaceship Earth (or Spacecraft Earth or Spaceship Planet Earth) is a worldview encouraging everyone on Earth to act as a harmonious crew working toward the greater good.

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πŸ”— Holodomor

πŸ”— Human rights πŸ”— Soviet Union πŸ”— Crime πŸ”— Death πŸ”— Philosophy πŸ”— Discrimination πŸ”— Philosophy/Ethics πŸ”— Soviet Union/history of Russia πŸ”— Soviet Union/Russia πŸ”— Ukraine πŸ”— Ethnic groups

The Holodomor (Ukrainian: Голодомо́р, romanized:Β HolodomΓ³r; derived from ΠΌΠΎΡ€ΠΈΡ‚ΠΈ Π³ΠΎΠ»ΠΎΠ΄ΠΎΠΌ, moryty holodom, 'to kill by starvation'), also known as the Terror-Famine and sometimes referred to as the Great Famine was a famine in Soviet Ukraine from 1932 to 1933 that killed millions of Ukrainians. The term Holodomor emphasises the famine's man-made and intentional aspects such as rejection of outside aid, confiscation of all household foodstuffs and restriction of population movement. As part of the wider Soviet famine of 1932–33 which affected the major grain-producing areas of the country, millions of inhabitants of Ukraine, the majority of whom were ethnic Ukrainians, died of starvation in a peacetime catastrophe unprecedented in the history of Ukraine. Since 2006, the Holodomor has been recognized by Ukraine and 15 other countries as a genocide of the Ukrainian people carried out by the Soviet government.

Early estimates of the death toll by scholars and government officials varied greatly. According to higher estimates, up to 12 million ethnic Ukrainians were said to have perished as a result of the famine. A United Nations joint statement signed by 25 countries in 2003 declared that 7–10 million perished. Research has since narrowed the estimates to between 3.3 and 7.5 million. According to the findings of the Court of Appeal of Kyiv in 2010, the demographic losses due to the famine amounted to 10 million, with 3.9 million direct famine deaths, and a further 6.1 million birth deficits.

Whether the Holodomor was genocide is still the subject of academic debate, as are the causes of the famine and intentionality of the deaths. Some scholars believe that the famine was planned by Joseph Stalin to eliminate a Ukrainian independence movement.

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πŸ”— GΓΆdel, Escher, Bach

πŸ”— Philosophy πŸ”— Philosophy/Philosophical literature πŸ”— Books πŸ”— Philosophy/Logic

GΓΆdel, Escher, Bach: An Eternal Golden Braid, also known as GEB, is a 1979 book by Douglas Hofstadter. By exploring common themes in the lives and works of logician Kurt GΓΆdel, artist M. C. Escher, and composer Johann Sebastian Bach, the book expounds concepts fundamental to mathematics, symmetry, and intelligence. Through illustration and analysis, the book discusses how, through self-reference and formal rules, systems can acquire meaning despite being made of "meaningless" elements. It also discusses what it means to communicate, how knowledge can be represented and stored, the methods and limitations of symbolic representation, and even the fundamental notion of "meaning" itself.

In response to confusion over the book's theme, Hofstadter emphasized that GΓΆdel, Escher, Bach is not about the relationships of mathematics, art, and musicβ€”but rather about how cognition emerges from hidden neurological mechanisms. One point in the book presents an analogy about how individual neurons in the brain coordinate to create a unified sense of a coherent mind by comparing it to the social organization displayed in a colony of ants.

The tagline "a metaphorical fugue on minds and machines in the spirit of Lewis Carroll" was used by the publisher to describe the book.

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πŸ”— Panopticon

πŸ”— Mass surveillance πŸ”— Architecture πŸ”— Philosophy πŸ”— Philosophy/Social and political philosophy πŸ”— Law Enforcement πŸ”— Correction and Detention Facilities

The panopticon is a type of institutional building and a system of control designed by the English philosopher and social theorist Jeremy Bentham in the 18th century. The concept of the design is to allow all prisoners of an institution to be observed by a single security guard, without the inmates being able to tell whether they are being watched.

Although it is physically impossible for the single guard to observe all the inmates' cells at once, the fact that the inmates cannot know when they are being watched means that they are motivated to act as though they are being watched at all times. Thus, the inmates are effectively compelled to regulate their own behaviour. The architecture consists of a rotunda with an inspection house at its centre. From the centre the manager or staff of the institution are able to watch the inmates. Bentham conceived the basic plan as being equally applicable to hospitals, schools, sanatoriums, and asylums, but he devoted most of his efforts to developing a design for a panopticon prison. It is his prison that is now most widely meant by the term "panopticon".

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πŸ”— Accelerationism

πŸ”— Philosophy πŸ”— Socialism πŸ”— Philosophy/Social and political philosophy

In political and social theory, accelerationism is the idea that capitalism, or particular processes that historically characterised capitalism, should be accelerated instead of overcome in order to generate radical social change. "Accelerationism" may also refer more broadly, and usually pejoratively, to support for the intensification of capitalism in the belief that this will hasten its self-destructive tendencies and ultimately lead to its collapse.

Some contemporary accelerationist philosophy starts with the Deleuzo–Guattarian theory of deterritorialisation, aiming to identify and radicalise the social forces that promote this emancipatory process.

Accelerationist theory has been divided into mutually contradictory left-wing and right-wing variants. "Left-accelerationism" attempts to press "the process of technological evolution" beyond the constrictive horizon of capitalism, for example by repurposing modern technology for socially beneficial and emancipatory ends; "right-accelerationism" supports the indefinite intensification of capitalism itself, possibly in order to bring about a technological singularity. Accelerationist writers have additionally distinguished other variants, such as "unconditional accelerationism".

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