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🔗 United States 🔗 Crime 🔗 Television 🔗 Chicago 🔗 Illinois 🔗 United States/American television

A broadcast signal hijacking of two television stations in Chicago, Illinois was carried out on November 22, 1987, in an act of video piracy. The stations' broadcasts were interrupted by a video of an unknown person wearing a Max Headroom mask and costume, accompanied by distorted audio.

The first incident took place for 25 seconds during the sports segment of WGN-TV's 9:00 p.m. news broadcast; the second occurred around two hours later, for about 90 seconds during PBS affiliate WTTW's broadcast of Doctor Who.

The hacker made references to Max Headroom's endorsement of Coca-Cola, the TV series Clutch Cargo, WGN anchor Chuck Swirsky; and "all the greatest world newspaper nerds", a reference to WGN's call letters, which stand for "World's Greatest Newspaper". A corrugated panel swiveled back and forth mimicking Max Headroom's geometric background effect. The video ended with a pair of exposed buttocks being spanked with a flyswatter before normal programming resumed. The culprits were never caught or identified.

🔗 United States 🔗 Marketing & Advertising 🔗 Guild of Copy Editors 🔗 United States/Massachusetts - Boston 🔗 United States/American television 🔗 Cartoon Network

On the morning of January 31, 2007, the Boston Police Department and the Boston Fire Department mistakenly identified battery-powered LED placards depicting the Mooninites, characters from the Adult Swim animated television series Aqua Teen Hunger Force, as improvised explosive devices (IEDs), leading to a massive panic. Placed throughout Boston, Massachusetts, and the surrounding cities of Cambridge and Somerville by Peter "Zebbler" Berdovsky and Sean Stevens, these devices were part of a nationwide guerrilla marketing advertising campaign for Aqua Teen Hunger Force Colon Movie Film for Theaters.

The massive panic led to controversy and criticism from U.S. media sources, including The Boston Globe, Los Angeles Times, Fox News, The San Francisco Chronicle, The New York Times, CNN, and The Boston Herald. Some ridiculed the city's response to the devices—including the arrests of the two men hired to place the placards around the area—as disproportionate and indicative of a generation gap between city officials and the younger residents of Boston, at whom the ads were targeted. Several sources noted that the hundreds of officers in the Boston police department or city emergency planning office on scene were unable to identify the figure depicted for several hours until a young staffer at Mayor Thomas Menino's office saw the media coverage and recognized the figures.

After the devices were removed, the Boston Police Department stated in its defense that the ad devices shared some similarities with improvised explosive devices, with them also discovering an identifiable power source, a circuit board with exposed wiring, and electrical tape. Investigators were not mollified by the discovery that the devices were not explosive in nature, stating they still intended to determine "if this event was a hoax or something else entirely". Although city prosecutors eventually concluded there was no ill intent involved in the placing of the ads, the city continues to refer to the event as a "bomb hoax" (implying intent) rather than a "bomb scare".

Reflecting years later, various academics and media sources have characterized the phenomenon as a form of social panic. Gregory Bergman wrote in his 2008 book BizzWords that the devices were basically a self-made form of the children's toy Lite-Brite. Bruce Schneier wrote in his 2009 book Schneier on Security that Boston officials were "ridiculed" for their overreaction to the incident. In his 2009 book Secret Agents, historian and communication professor Jeremy Packer discussed a cultural phenomenon called the "panic discourse" and described the incident as a "spectacular instance of this panic". In a 2012 article, The Boston Phoenix called the incident the "Great Mooninite Panic of 2007". A 2013 publication by WGBH wrote that the majority of Boston youth thought that the arrests of two men who placed devices were not justified.

🔗 United States 🔗 Computing 🔗 Television 🔗 United States/American television

Halt and Catch Fire is an American period drama television series created by Christopher Cantwell and Christopher C. Rogers. It aired on the cable network AMC in the United States from June 1, 2014, to October 14, 2017, spanning four seasons and 40 episodes. Taking place over a period of more than ten years, the series depicts a fictionalized insider's view of the personal computer revolution of the 1980s and the growth of the World Wide Web in the early 1990s. The show's title refers to computer machine code instruction Halt and Catch Fire (HCF), the execution of which would cause the computer's central processing unit to stop working (catch fire being a humorous exaggeration).

In season one, the company Cardiff Electric makes its first foray into personal computing, with entrepreneur Joe MacMillan (Lee Pace) running a project to build an IBM PC clone with the help of computer engineer Gordon Clark (Scoot McNairy) and prodigy programmer Cameron Howe (Mackenzie Davis). Seasons two and three shift focus to a startup company, the online community Mutiny, that is headed by Cameron and Gordon's wife Donna (Kerry Bishé), while Joe ventures out on his own. The fourth and final season focuses on competing web search engines involving all the principal characters.

Halt and Catch Fire marked Cantwell's and Rogers's first jobs in television. They wrote the pilot hoping to use it to secure jobs as writers in the industry but instead landed a series of their own from AMC. The story was inspired by Cantwell's childhood in the Silicon Prairie of Dallas–Fort Worth, where his father worked as a software salesman, and the creators' subsequent research into Texas's role in personal computing innovations of the 1980s. Filmed in the Atlanta, Georgia, area and produced by the network, the series is set in the Silicon Prairie for its first two seasons and Silicon Valley for its latter two.

Halt and Catch Fire debuted to generally favorable reviews, though many reviewers initially found it derivative of other series such as Mad Men. In each subsequent season, the series grew in acclaim, and by the time it concluded, critics considered it among the best shows of the 2010s. Despite its critical reception, the series experienced low viewership ratings throughout its run, with only the first episode surpassing one million viewers for its initial broadcast.

🔗 United States 🔗 Computing 🔗 Marketing & Advertising 🔗 Microsoft 🔗 United States/American television

“Where do you want to go today?” was the title of Microsoft’s second global image advertising campaign. The broadcast, print and outdoor advertising campaign was launched in November 1994 through the advertising agency Wieden+Kennedy. The campaign had Microsoft spending $100 million through July 1995, of which $25 million would be spent during the holiday shopping season ending in December 1994.

Tony Kaye directed a series of television ads filmed in Hong Kong, Prague and New York City that showed a broad range of people using their PCs. The television ads were first broadcast in Australia on November 13, the following day in both the United States and Canada, with Britain, France and Germany seeing the spots in subsequent days. An eight-page print ad described the personal computer as “an open opportunity for everybody” that “[facilitates] the flow of information so that good ideas—wherever they come from—can be shared”, and was placed in mass-market magazines including National Geographic, Newsweek, People, Rolling Stone and Sports Illustrated.

The New York Times described the campaign as taking “a winsome, humanistic approach to demystifying technology”. However, the Times reported in August 1995 that the response to Microsoft’s campaign in the advertising trade press had been “lukewarm” and quoted Brad Johnson of Advertising Age as stating that “Microsoft is on version 1.0 in advertising. Microsoft is not standing still. It will improve its advertising.” Microsoft’s Steve Ballmer, then the firm’s executive vice president, acknowledged that the response to the campaign had been “chilly”.

In June 1999, Microsoft announced that it would be ending its nearly five-year-long relationship with Wieden+Kennedy, shifting $100 million (~$166 million in 2022) in billings to McCann Erickson Worldwide Advertising in a split that was described by The New York Times as mutual. Dan Wieden, president and chief creative officer of the advertising agency, characterized the relationship with Microsoft as “intense” and said that it had “run its course”.

🔗 United States 🔗 Television 🔗 Law 🔗 Comedy 🔗 Animation 🔗 Popular Culture 🔗 South Park 🔗 United States/American television 🔗 United States/Colorado 🔗 Star Wars 🔗 United States/Animation - American animation

In a jury trial, a Chewbacca defense is a legal strategy in which a criminal defense lawyer tries to confuse the jury rather than refute the case of the prosecutor. It is an intentional distraction or obfuscation.

As a Chewbacca defense distracts and misleads, it is an example of a red herring. It is also an example of an irrelevant conclusion, a type of informal fallacy in which one making an argument fails to address the issue in question. Often an opposing counsel can legally object to such arguments by declaring them irrelevant, character evidence, or argumentative.

The name Chewbacca defense comes from "Chef Aid", an episode of the American animated series South Park. The episode, which premiered on October 7, 1998, satirizes the O. J. Simpson murder trial—particularly attorney Johnnie Cochran's closing argument for the defense. In the episode, Cochran (voiced by Trey Parker) bases his argument on a false premise about the 1983 film Return of the Jedi. He asks the jury why a Wookiee like Chewbacca would want to live on Endor with the much smaller Ewoks when "it does not make sense". He argues that if Chewbacca living on Endor does not make sense—and if even mentioning Chewbacca in the case does not make sense—then the jury must acquit.

In the Simpson murder trial, the real Johnnie Cochran tried to convince jurors that a glove found at the crime scene, alleged to have been left by the killer, could not be Simpson's because it did not fit Simpson's hand. Because the prosecution relied on the glove as evidence of Simpson's presence at the scene, Cochran argued that the lack of fit proved Simpson's innocence: "It makes no sense; it doesn't fit; if it doesn't fit, you must acquit." "If it doesn't fit, you must acquit" was a refrain that Cochran also used in response to other points of the case.