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🔗 Guild of Copy Editors 🔗 Automobiles

The Chrysler Turbine Car is an experimental two-door hardtop coupe powered by a turbine engine and manufactured by Chrysler from 1963–1964. The bodywork was constructed by Italian design studio Carrozzeria Ghia and Chrysler completed the final assembly in Detroit. A total of 55 cars were manufactured: five prototypes and a limited run of 50 cars for a public user program. All have a signature metallic paint named "turbine bronze", roughly the color of root beer. The car was styled by Elwood Engel and the Chrysler studios and featured power brakes, power steering, and a TorqueFlite transmission.

The Chrysler turbine engine program that produced the Turbine Car began during the late 1930s and created prototypes that completed long-distance trips in the 1950s and early 1960s. The A-831 engines that powered the Ghia-designed Turbine Car could operate on many fuels, required less maintenance, and lasted longer than conventional piston engines, although they were much more expensive to produce.

After testing, Chrysler conducted a user program from October 1963 to January 1966 that involved 203 drivers in 133 cities in the United States cumulatively driving more than one million miles (1.6 million km). The program helped the company determine problems with the cars, notably with their complicated starting procedure, relatively unimpressive acceleration, and sub-par fuel economy and noise. The experience also revealed advantages of the turbine engines, including their remarkable durability, smooth operation, and relatively modest maintenance requirements.

After the user program ended in 1966, Chrysler reclaimed the cars and destroyed all but nine; Chrysler kept two cars, six are displayed at museums in the United States, and one is in a private collection. Chrysler's turbine engine program ended in 1979, largely due to the failure of the engines to meet government emissions regulations, relatively poor fuel economy, and as a condition of receiving a government loan in 1979.

🔗 Writing systems 🔗 Writing

Asemic writing is a wordless open semantic form of writing. The word asemic means "having no specific semantic content", or "without the smallest unit of meaning". With the non-specificity of asemic writing there comes a vacuum of meaning, which is left for the reader to fill in and interpret. All of this is similar to the way one would deduce meaning from an abstract work of art. Where asemic writing distinguishes itself among traditions of abstract art is in the asemic author's use of gestural constraint, and the retention of physical characteristics of writing such as lines and symbols. Asemic writing is a hybrid art form that fuses text and image into a unity, and then sets it free to arbitrary subjective interpretations. It may be compared to free writing or writing for its own sake, instead of writing to produce verbal context. The open nature of asemic works allows for meaning to occur across linguistic understanding; an asemic text may be "read" in a similar fashion regardless of the reader's natural language. Multiple meanings for the same symbolism are another possibility for an asemic work, that is, asemic writing can be polysemantic or have zero meaning, infinite meanings, or its meaning can evolve over time. Asemic works leave for the reader to decide how to translate and explore an asemic text; in this sense, the reader becomes co-creator of the asemic work.

In 1997, visual poets Tim Gaze and Jim Leftwich first applied the word asemic to name their quasi-calligraphic writing gestures. They then began to distribute them to poetry magazines both online and in print. The authors explored sub-verbal and sub-letteral forms of writing, and textual asemia as a creative option and as an intentional practice. Since the late 1990s, asemic writing has blossomed into a worldwide literary/art movement. It has especially grown in the early part of the 21st century, though there is an acknowledgement of a long and complex history, which precedes the activities of the current asemic movement, especially with regards to abstract calligraphy, wordless writing, and verbal writing damaged beyond the point of legibility. Jim Leftwich has recently stated that an asemic condition of an asemic work is an impossible goal, and that it is not possible to create an art/literary work entirely without meaning. He has begun to use the term "pansemic" too. He also explained (in 2020): "The term 'pansemia' didn't replace the term 'asemia' in my thinking (nor did 'pansemic' replace 'asemic'); it merely assisted me in expanding my understanding of the theory and practice of asemic writing". Others such as author Travis Jeppesen have found the term asemic to be problematic because "it seems to infer writing with no meaning."

🔗 California 🔗 Computing 🔗 Computing/Networking

Tymnet was an international data communications network headquartered in Cupertino, California that used virtual call packet-switched technology and X.25, SNA/SDLC, BSC and Async interfaces to connect host computers (servers) at thousands of large companies, educational institutions, and government agencies. Users typically connected via dial-up connections or dedicated asynchronous connections.

The business consisted of a large public network that supported dial-up users and a private network that allowed government agencies and large companies (mostly banks and airlines) to build their own dedicated networks. The private networks were often connected via gateways to the public network to reach locations not on the private network. Tymnet was also connected to dozens of other public networks in the United States and internationally via X.25/X.75 gateways.

As the Internet grew and became almost universally accessible in the late 1990s, the need for services such as Tymnet migrated to the Internet style connections, but still had some value in the Third World and for specific legacy roles. However the value of these links continued to decrease, and Tymnet shut down in 2004.

🔗 Human rights 🔗 History 🔗 Military history 🔗 Crime 🔗 Death 🔗 China 🔗 Politics 🔗 Socialism 🔗 Law Enforcement 🔗 Sociology 🔗 Guild of Copy Editors 🔗 Military history/Cold War 🔗 Military history/Asian military history 🔗 Military history/Chinese military history 🔗 Crime and Criminal Biography

The Tiananmen Square protests, also known as the June Fourth Incident (Chinese: 六四事件; pinyin: liùsì shìjiàn) in China, were student-led demonstrations held in Tiananmen Square, Beijing during 1989. In what is known as the Tiananmen Square Massacre (Chinese: 天安门大屠杀; pinyin: Tiān'ānmén dà túshā), troops armed with assault rifles and accompanied by tanks fired at the demonstrators and those trying to block the military's advance into Tiananmen Square. The protests started on 15 April and were forcibly suppressed on 4 June when the government declared martial law and sent the People's Liberation Army to occupy parts of central Beijing. Estimates of the death toll vary from several hundred to several thousand, with thousands more wounded. The popular national movement inspired by the Beijing protests is sometimes called the '89 Democracy Movement (Chinese: 八九民运; pinyin: Bājiǔ mínyùn) or the Tiananmen Square Incident (Chinese: 天安门事件; pinyin: Tiān'ānmén shìjiàn).

The protests were precipitated by the death of pro-reform Chinese Communist Party (CCP) general secretary Hu Yaobang in April 1989 amid the backdrop of rapid economic development and social change in post-Mao China, reflecting anxieties among the people and political elite about the country's future. The reforms of the 1980s had led to a nascent market economy that benefited some people but seriously disadvantaged others, and the one-party political system also faced a challenge to its legitimacy. Common grievances at the time included inflation, corruption, limited preparedness of graduates for the new economy, and restrictions on political participation. Although they were highly disorganized and their goals varied, the students called for greater accountability, constitutional due process, democracy, freedom of the press, and freedom of speech. At the height of the protests, about one million people assembled in the Square.

As the protests developed, the authorities responded with both conciliatory and hardline tactics, exposing deep divisions within the party leadership. By May, a student-led hunger strike galvanized support around the country for the demonstrators, and the protests spread to some 400 cities. Among the CCP's top leadership, Premier Li Peng and Party Elders Li Xiannian and Wang Zhen called for decisive action through violent suppression of the protesters, and ultimately managed to win over Paramount Leader Deng Xiaoping and President Yang Shangkun to their side. On 20 May, the State Council declared martial law. They mobilized as many as ~300,000 troops to Beijing. The troops advanced into central parts of Beijing on the city's major thoroughfares in the early morning hours of 4 June, killing both demonstrators and bystanders in the process. The military operations were under the overall command of General Yang Baibing, half-brother of President Yang Shangkun.

The international community, human rights organizations, and political analysts condemned the Chinese government for the massacre. Western countries imposed arms embargoes on China. The Chinese government made widespread arrests of protesters and their supporters, suppressed other protests around China, expelled foreign journalists, strictly controlled coverage of the events in the domestic press, strengthened the police and internal security forces, and demoted or purged officials it deemed sympathetic to the protests. More broadly, the suppression ended the political reforms begun in 1986 and halted the policies of liberalization of the 1980s, which were only partly resumed after Deng Xiaoping's Southern Tour in 1992. Considered a watershed event, reaction to the protests set limits on political expression in China that have lasted up to the present day. Remembering the protests is widely associated with questioning the legitimacy of CCP rule and remains one of the most sensitive and most widely censored topics in China.

Broodfonds (English: "Bread fund") is a Dutch collective that allows independent entrepreneurs to provide each other with temporary sick leave. Those who wish to participate in a bread fund can join an existing group of likeminded entrepreneurs, or start one themselves. The recommended minimum is 25 people, the maximum size is 50 people to avoid a degree of anonymity. A 'broodfonds' organises solidarity by personal connections and networking and its members are self-governing.

🔗 Lists

This is a list of countries and territories by home ownership rate, which is the ratio of owner-occupied units to total residential units in a specified area.

🔗 Architecture 🔗 Pennsylvania 🔗 Pittsburgh

A Pittsburgh toilet, or Pittsburgh potty, is a common fixture in pre-World War II houses built in Pittsburgh, Pennsylvania, United States and surrounding region. It consists of an ordinary flush toilet installed in the basement, with no surrounding walls. Most of these toilets are paired with a crude basement shower apparatus and large sink, which often doubles as a laundry basin. Also, because western Pennsylvania is a steep topographical zone, many basements have their own entryway, allowing homeowners to enter from their yard or garage, cleanse themselves in their basement, and then ascend their basement stairs refreshed. Its primary function was to serve as a cleanup station for steel mill workers to clean themselves after returning from work. The toilet fixtures would also limit the harm of sewage backups in hilly Pittsburgh, providing a lower, flushable outlet than the main part of the house.

🔗 Film 🔗 Film/American cinema 🔗 Film/Documentary films

Werner Herzog Eats His Shoe is a short documentary film directed by Les Blank in 1980 which depicts director Werner Herzog living up to his promise that he would eat his shoe if Errol Morris ever completed the film Gates of Heaven. The film includes clips from both Gates of Heaven and Herzog's 1970 feature Even Dwarfs Started Small. Comic song "Old Whisky Shoes", played by the Walt Solek Band, is the signature tune over the opening and closing credits.

Filmed in April 1979, the film features Herzog cooking his shoes (the ones he claims to have been wearing when he made the bet) at the Berkeley, California restaurant Chez Panisse, with the help of chef Alice Waters. (The shoes were boiled with garlic, herbs, and stock for 5 hours.) He is later shown eating one of the shoes before an audience at the premiere of Gates of Heaven at the nearby UC Theater. He did not eat the sole of the shoe, however, explaining that one does not eat the bones of the chicken.

Morris is not shown in the film, and Herzog, Morris, and others have told different stories of the nature of the bet, disagreeing as to whether it was serious, flippant, or an after-the-fact publicity stunt.

Blank went on to direct Burden of Dreams (1982), a feature-length documentary about Herzog and the making of Fitzcarraldo. Werner Herzog Eats His Shoe is included as an extra on The Criterion Collection edition of the Burden of Dreams DVD. It is also included as an extra in the Criterion Collection edition of the Gates of Heaven Blu-ray disc.

When Chez Panisse celebrated its 40th anniversary, a replica of the shoe was created, boiled, and eaten as part of the public anniversary celebration.

The Academy Film Archive preserved Werner Herzog Eats His Shoe in 1999.

🔗 Soviet Union 🔗 Armenia

The Radio Yerevan jokes, also known as the Armenian Radio jokes, have been popular in the Soviet Union and other countries of the former Communist Eastern bloc since the second half of the 20th century. These jokes of the Q&A type pretended to come from the Question & Answer series of the Armenian Radio. A typical format of a joke was: "Radio Yerevan was asked," and "Radio Yerevan answered."