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🔗 United States 🔗 Albums 🔗 R&B and Soul Music 🔗 United States/American music

Live in Cook County Jail is a 1971 live album by American blues musician B.B. King, recorded on September 10, 1970, in Cook County Jail in Chicago. Agreeing to a request by jail warden Winston Moore, King and his band performed for an audience of 2,117 prisoners, most of whom were young black men. King's set list consisted mostly of slow blues songs, which had been hits earlier in his career. When King told ABC Records about the upcoming performance, he was advised to bring along press and recording equipment.

Live in Cook County Jail spent thirty-three weeks on the Billboard Top LPs chart, where it peaked at number twenty-five. It also reached number one on the Top R&B chart, King's only album to do so. In addition to positive reviews from critics, much of the press surrounding Live in Cook County Jail focused on the harsh living conditions in the prison, which led to an eventual reform.

Although Live in Cook County Jail continues to receive praise as one of King's best albums, critics often overlook it in favor of 1965's Live at the Regal. Rolling Stone ranked Live in Cook County Jail at number 499 on its list of the 500 Greatest Albums of All Time, and in 2002, it was inducted into the Blues Foundation Hall of Fame. The performance at Cook County Jail had a profound impact on King, who not only continued to perform free concerts at prisons throughout his life, but also co-established the Foundation for the Advancement of Inmate Rehabilitation and Recreation.

🔗 Library of Congress 🔗 Classical music 🔗 Albums

In C is a musical piece composed by Terry Riley in 1964 for an indefinite number of performers. He suggests "a group of about 35 is desired if possible but smaller or larger groups will work". A series of short melodic fragments that can be repeated at the discretion of musicians, In C is often cited as the first minimalist composition to make a significant impact on the public consciousness.

The piece was first performed by Steve Reich, Jon Gibson, Pauline Oliveros, Stuart Dempster, Morton Subotnick and others at the San Francisco Tape Music Center. It received its first recorded release in 1968 on CBS Records. Subsequent performances have been recorded many times since.

In 2022, the 1968 LP recording of In C was selected by the Library of Congress for preservation in the United States National Recording Registry as being "culturally, historically, or aesthetically significant.".

🔗 Internet culture 🔗 Medicine 🔗 Psychology 🔗 Electronic music 🔗 Neuroscience 🔗 Medicine/Neurology 🔗 Medicine/Society and Medicine 🔗 Albums

Everywhere at the End of Time is the eleventh recording by the Caretaker, an alias of English electronic musician Leyland Kirby. Released between 2016 and 2019, its six studio albums use degrading loops of sampled ballroom music to portray the progression of Alzheimer's disease. Inspired by the success of An Empty Bliss Beyond This World (2011), Kirby produced Everywhere as his final major work under the alias. The albums were produced in Krakow and released over six-month periods to "give a sense of time passing". The album covers are abstract paintings by his friend Ivan Seal. The series drew comparisons to the works of composer William Basinski and electronic musician Burial; later stages were influenced by avant-gardist composer John Cage.

The series comprises six hours of music, portraying a range of emotions and characterised by noise throughout. Although the first three stages are similar to An Empty Bliss, the last three stages depart from Kirby's earlier ambient works. The albums reflect the patient's disorder and death, their feelings, and the phenomenon of terminal lucidity. To promote the series, Kirby partnered with anonymous visual artist Weirdcore to make music videos. At first, concerned about whether the series would seem pretentious, Kirby thought of not creating Everywhere at all; he spent more time producing it than any of his other releases. The album covers received attention from a French art exhibition named after the Caretaker's Everywhere, an Empty Bliss (2019), a compilation of archived songs.

As each stage was released, the series received increasingly positive reviews from critics; its length and dementia-driven concept led many reviewers to feel emotional about the complete edition. Considered to be Kirby's magnum opus, Everywhere was one of the most praised music releases of the 2010s. Caregivers of people with dementia also praised the albums for increasing empathy for patients among younger listeners, although some medics felt the series was too linear. It became an Internet phenomenon in the early 2020s, emerging in TikTok videos as a listening challenge, being transformed into a mod for the video game Friday Night Funkin' (2020), and appearing in internet memes.

🔗 Lists 🔗 Songs 🔗 Albums

This list consists of albums or songs that have been considered the worst music ever made by various combinations of music critics, television broadcasters (such as MTV), radio stations, composers, and public polls.

Individual tastes can vary widely such that very little consensus can be achieved. For example, the winning song in a CNN email poll received less than 5 percent of the total votes cast.