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🔗 Mexico 🔗 Archaeology 🔗 Mesoamerica

The Great Pyramid of Cholula, also known as Tlachihualtepetl (Nahuatl for "made-by-hand mountain"), is a complex located in Cholula, Puebla, Mexico. It is the largest archaeological site of a pyramid (temple) in the New World, as well as the largest pyramid by volume known to exist in the world today. The adobe brick pyramid stands 25 metres (82 ft) above the surrounding plain, which is significantly shorter than the Great Pyramid of Giza's height of 146.6 metres (481 ft), but much wider, measuring 300 by 315 metres (984 by 1,033 ft) in its final form, compared to the Great Pyramid's base dimensions of 230.3 by 230.3 metres (756 by 756 ft). The pyramid is a temple that traditionally has been viewed as having been dedicated to the god Quetzalcoatl. The architectural style of the building was linked closely to that of Teotihuacan in the Valley of Mexico, although influence from the Gulf Coast is evident as well, especially from El Tajín.

🔗 Ancient Near East 🔗 Ancient Egypt 🔗 Archaeology 🔗 Ethnic groups 🔗 Israel 🔗 Palestine 🔗 Dacia

The Sea Peoples are a purported seafaring confederation that attacked ancient Egypt and other regions of the East Mediterranean prior to and during the Late Bronze Age collapse (1200–900 BCE). Following the creation of the concept in the nineteenth century, it became one of the most famous chapters of Egyptian history, given its connection with, in the words of Wilhelm Max Müller: "the most important questions of ethnography and the primitive history of classic nations". Their origins undocumented, the various Sea Peoples have been proposed to have originated from places that include western Asia Minor, the Aegean, the Mediterranean islands and Southern Europe. Although the archaeological inscriptions do not include reference to a migration, the Sea Peoples are conjectured to have sailed around the eastern Mediterranean and invaded Anatolia, Syria, Phoenicia, Canaan, Cyprus and Egypt toward the end of the Bronze Age.

French Egyptologist Emmanuel de Rougé first used the term peuples de la mer (literally "peoples of the sea") in 1855 in a description of reliefs on the Second Pylon at Medinet Habu documenting Year 8 of Ramesses III. Gaston Maspero, de Rougé's successor at the Collège de France, subsequently popularized the term "Sea Peoples" — and an associated migration-theory — in the late 19th century. Since the early 1990s, his migration theory has been brought into question by a number of scholars.

The Sea Peoples remain unidentified in the eyes of most modern scholars and hypotheses regarding the origin of the various groups are the source of much speculation. Existing theories variously propose equating them with several Aegean tribes, raiders from Central Europe, scattered soldiers who turned to piracy or who had become refugees, and links with natural disasters such as earthquakes or climatic shifts.

🔗 Skepticism 🔗 Alternative Views 🔗 Archaeology 🔗 Paranormal

An out-of-place artifact (OOPArt) is an artifact of historical, archaeological, or paleontological interest found in an unusual context, which challenges conventional historical chronology by its presence in that context. Such artifacts may appear "too advanced" for the technology known to have existed at the time, or may suggest human presence at a time before humans are known to have existed. Other examples may suggest contact between different cultures that is hard to account for with conventional historical understanding.

The term is used in fringe science such as cryptozoology, as well as by proponents of ancient astronaut theories, young Earth creationists, and paranormal enthusiasts. It can describe a wide variety of objects, from anomalies studied by mainstream science to pseudoarchaeology far outside the mainstream to objects that have been shown to be hoaxes or to have mundane explanations.

Critics argue that most purported OOPArts which are not hoaxes are the result of mistaken interpretation and wishful thinking, such as a mistaken belief that a particular culture could not have created an artifact or technology due to a lack of knowledge or materials. In some cases, the uncertainty results from inaccurate descriptions. For example, the Wolfsegg Iron was said to be a perfect cube, but in fact it is not; the Klerksdorp spheres were said to be perfect spheres, but they are not. The Iron pillar of Delhi was said to be "rust proof", but it has some rust near its base; its relative resistance to corrosion is due to slag inclusions left over from the manufacturing conditions and environmental factors.

Supporters regard OOPArts as evidence that mainstream science is overlooking huge areas of knowledge, either willfully or through ignorance. Many writers or researchers who question conventional views of human history have used purported OOPArts in attempts to bolster their arguments. Creation science often relies on allegedly anomalous finds in the archaeological record to challenge scientific chronologies and models of human evolution. Claimed OOPArts have been used to support religious descriptions of prehistory, ancient astronaut theories, and the notion of vanished civilizations that possessed knowledge or technology more advanced than that known in modern times.

🔗 Germany 🔗 Time 🔗 Archaeology 🔗 Visual arts 🔗 Fashion

Golden hats (or Gold hats) (German: Goldhüte, singular: Goldhut) are a very specific and rare type of archaeological artifact from Bronze Age Europe. So far, four such objects ("cone-shaped gold hats of the Schifferstadt type") are known. The objects are made of thin sheet gold and were attached externally to long conical and brimmed headdresses which were probably made of some organic material and served to stabilise the external gold leaf. The following Golden Hats are known as of 2012:

• Golden Hat of Schifferstadt, found in 1835 at Schifferstadt near Speyer, c. 1400–1300 BC.
• Avanton Gold Cone, incomplete, found at Avanton near Poitiers in 1844, c. 1000–900 BC.
• Golden Cone of Ezelsdorf-Buch, found near Ezelsdorf near Nuremberg in 1953, c. 1000–900 BC; the tallest known specimen at c. 90 cm.
• Berlin Gold Hat, found probably in Swabia or Switzerland, c. 1000–800 BC; acquired by the Museum für Vor- und Frühgeschichte, Berlin, in 1996.

🔗 Archaeology 🔗 Croatia

The Liber Linteus Zagrabiensis (Latin for "Linen Book of Zagreb", also rarely known as Liber Agramensis, "Book of Agram") is the longest Etruscan text and the only extant linen book, dated to the 3rd century BCE. It remains mostly untranslated because of the lack of knowledge about the Etruscan language, though the few words which can be understood indicate that the text is most likely a ritual calendar.

The fabric of the book was preserved when it was used for mummy wrappings in Ptolemaic Egypt. The mummy was bought in Alexandria in 1848 and since 1867 both the mummy and the manuscript have been kept in Zagreb, Croatia, now in a refrigerated room at the Archaeological Museum.

🔗 London 🔗 British Museum 🔗 BBC 🔗 Classical Greece and Rome 🔗 Archaeology 🔗 Rome 🔗 East Anglia 🔗 East Anglia/Suffolk

The Hoxne Hoard ( HOK-sən) is the largest hoard of late Roman silver and gold discovered in Britain, and the largest collection of gold and silver coins of the fourth and fifth centuries found anywhere within the former Roman Empire. It was found by Eric Lawes, a metal detectorist in the village of Hoxne in Suffolk, England in 1992. The hoard consists of 14,865 Roman gold, silver, and bronze coins and approximately 200 items of silver tableware and gold jewellery. The objects are now in the British Museum in London, where the most important pieces and a selection of the rest are on permanent display. In 1993, the Treasure Valuation Committee valued the hoard at £1.75 million (about £3.79 million in 2021).

The hoard was buried in an oak box or small chest filled with items in precious metal, sorted mostly by type, with some in smaller wooden boxes and others in bags or wrapped in fabric. Remnants of the chest and fittings, such as hinges and locks, were recovered in the excavation. The coins of the hoard date it after AD 407, which coincides with the end of Britain as a Roman province. The owners and reasons for burial of the hoard are unknown, but it was carefully packed and the contents appear consistent with what a single very wealthy family might have owned. It is likely that the hoard represents only a part of the wealth of its owner, given the lack of large silver serving vessels and of some of the most common types of jewellery.

The Hoxne Hoard contains several rare and important objects, such as a gold body-chain and silver-gilt pepper-pots (piperatoria), including the Empress pepper pot. The hoard is also of particular archaeological significance because it was excavated by professional archaeologists with the items largely undisturbed and intact. The find helped to improve the relationship between metal detectorists and archaeologists, and influenced a change in English law regarding finds of treasure.

🔗 Technology 🔗 Physics 🔗 Ancient Near East 🔗 Ancient Egypt 🔗 Archaeology 🔗 Spectroscopy 🔗 Blades

Tutankhamun's meteoric iron dagger, also known as Tutankhamun's iron dagger and King Tut's dagger, is an iron-bladed dagger from the tomb of the ancient Egyptian Pharaoh Tutankhamun (reigned c. 1334–1325 BC). As the blade composition and homogeneity closely correlate with meteorite composition and homogeneity, the material for the blade is determined to have originated by way of a meteoritic landing. The dagger is currently displayed at the Egyptian Museum in Cairo.

🔗 Military history 🔗 Religion 🔗 Anthropology 🔗 Sociology 🔗 Archaeology 🔗 Mythology 🔗 Military history/Military culture, traditions, and heraldry

The kóryos (Proto-Indo-European: "army, people under arms" or "detachment, war party") refers to the hypothetical Proto-Indo-European brotherhood of warriors in which unmarried young males served for a number of years before their full integration to the host society, in the context of a rite of passage into manhood.

Subsequent Indo-European traditions and myths feature parallel linkages between property-less adolescent males, perceived as an age-class not yet fully integrated into the community of the married men; their service in a "police-army" sent away for a part of the year in the wild (where they hunted animals and raided foreign communities) and defending the host society during the remaining part of the year; their mystical self-identification with wolves and dogs as symbols of death, promiscuity, lawlessness, and warrior fury; and the idea of a liminality between invulnerability and death on one side, and youth and adulthood on the other side.

🔗 Writing systems 🔗 Archaeology 🔗 Visual arts

The Phaistos Disc (also spelled Phaistos Disk, Phaestos Disc) is a disk of fired clay from the Minoan palace of Phaistos on the island of Crete, possibly dating to the middle or late Minoan Bronze Age (second millennium B.C.). The disk is about 15 cm (5.9 in) in diameter and covered on both sides with a spiral of stamped symbols. Its purpose and meaning, and even its original geographical place of manufacture, remain disputed, making it one of the most famous mysteries of archaeology. This unique object is now on display at the archaeological museum of Heraklion.

The disc was discovered in 1908 by the Italian archaeologist Luigi Pernier in the Minoan palace-site of Phaistos, and features 241 tokens, comprising 45 distinct signs, which were apparently made by pressing hieroglyphic "seals" into a disc of soft clay, in a clockwise sequence spiraling toward the center of the disk.

The Phaistos Disc captured the imagination of amateur and professional archaeologists, and many attempts have been made to decipher the code behind the disc's signs. While it is not clear that it is a script, most attempted decipherments assume that it is; most additionally assume a syllabary, others an alphabet or logography. Attempts at decipherment are generally thought to be unlikely to succeed unless more examples of the signs are found, as it is generally agreed that there is not enough context available for a meaningful analysis.

Although the Phaistos Disc is generally accepted as authentic by archaeologists, a few scholars believe that the disc is a forgery or a hoax.

🔗 China/Chinese history 🔗 China 🔗 Civil engineering 🔗 Archaeology 🔗 Museums 🔗 World Heritage Sites

The Dujiangyan (Chinese: 都江堰; pinyin: Dūjiāngyàn) is an ancient irrigation system in Dujiangyan City, Sichuan, China. Originally constructed around 256 BC by the State of Qin as an irrigation and flood control project, it is still in use today. The system's infrastructure develops on the Min River (Minjiang), the longest tributary of the Yangtze. The area is in the west part of the Chengdu Plain, between the Sichuan basin and the Tibetan plateau. Originally, the Min would rush down from the Min Mountains and slow down abruptly after reaching the Chengdu Plain, filling the watercourse with silt, thus making the nearby areas extremely prone to floods. Li Bing, then governor of Shu for the state of Qin, and his son headed the construction of the Dujiangyan, which harnessed the river using a new method of channeling and dividing the water rather than simply damming it. The water management scheme is still in use today to irrigate over 5,300 square kilometres (2,000 sq mi) of land in the region. The Dujiangyan, the Zhengguo Canal in Shaanxi and the Lingqu Canal in Guangxi are collectively known as the "three great hydraulic engineering projects of the Qin."