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🔗 History 🔗 France 🔗 Medicine 🔗 Dance

The Dancing Plague of 1518, or Dance Epidemic of 1518, was a case of dancing mania that occurred in Strasbourg, Alsace (modern-day France), in the Holy Roman Empire from July 1518 to September 1518. Somewhere between 50 and 400 people took to dancing for weeks.

🔗 Medicine 🔗 Dance

Dancing mania (also known as dancing plague, choreomania, St. John's Dance and St. Vitus's Dance) was a social phenomenon that occurred primarily in mainland Europe between the 14th and 17th centuries. It involved groups of people dancing erratically, sometimes thousands at a time. The mania affected men, women, and children who danced until they collapsed from exhaustion. One of the first major outbreaks was in Aachen, in the Holy Roman Empire, in 1374, and it quickly spread throughout Europe; one particularly notable outbreak occurred in Strasbourg in 1518, also in the Holy Roman Empire.

Affecting thousands of people across several centuries, dancing mania was not an isolated event, and was well documented in contemporary reports. It was nevertheless poorly understood, and remedies were based on guesswork. Often musicians accompanied dancers, due to a belief that music would treat the mania, but this tactic sometimes backfired by encouraging more to join in. There is no consensus among modern-day scholars as to the cause of dancing mania.

The several theories proposed range from religious cults being behind the processions to people dancing to relieve themselves of stress and put the poverty of the period out of their minds. It is speculated to have been a mass psychogenic illness, in which physical symptoms with no known physical cause are observed to affect a group of people, as a form of social influence.

🔗 Biography 🔗 Military history 🔗 Architecture 🔗 Greece 🔗 Military history/Military biography 🔗 Biography/military biography 🔗 Military history/World War II 🔗 Military history/Cold War 🔗 Dance 🔗 Composers 🔗 Dance/Ballet 🔗 Classical music 🔗 Military history/Balkan military history 🔗 Biography/Musicians 🔗 Military history/European military history

Iannis Xenakis (also spelt as Yannis Xenakis) (Greek: Γιάννης (Ιάννης) Ξενάκης [ˈʝanis kseˈnacis]; 29 May 1922 – 4 February 2001) was a Greek-French composer, music theorist, architect, performance director and engineer. After 1947, he fled Greece, becoming a naturalized citizen of France. He is considered an important post-World War II composer whose works helped revolutionize 20th-century classical music.

Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances.

Among his most important works are Metastaseis (1953–54) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as Psappha (1975) and Pléïades (1979); compositions that introduced spatialization by dispersing musicians among the audience, such as Terretektorh (1966); electronic works created using Xenakis's UPIC system; and the massive multimedia performances Xenakis called polytopes, that were a summa of his interests and skills. Among the numerous theoretical writings he authored, the book Formalized Music: Thought and Mathematics in Composition (French edition 1963, English translation 1971) is regarded as one of his most important. As an architect, Xenakis is primarily known for his early work under Le Corbusier: the Sainte Marie de La Tourette, on which the two architects collaborated, and the Philips Pavilion at Expo 58, which Xenakis designed by himself.