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🔗 Olympics 🔗 Classical Greece and Rome 🔗 Greece 🔗 Martial arts 🔗 Mixed martial arts

Pankration (; Greek: παγκράτιον) was a sporting event introduced into the Greek Olympic Games in 648 BC and was an empty-hand submission sport with scarcely any rules. The athletes used boxing and wrestling techniques, but also others, such as kicking and holds, locks and chokes on the ground. The term comes from the Greek παγκράτιον [paŋkrátion], literally meaning "all of power" from πᾶν (pan) "all" and κράτος (kratos) "strength, might, power".

It was known in ancient times for its ferocity and allowance of such tactics as knees to the head and eye gouging. One ancient account tells of a situation in which the judges were trying to determine the winner of a match. The difficulty lay in that fact that both men had died in the arena from their injuries, making it hard to determine a victor. Eventually, the judges decided the winner was the one who didn't have his eyes gouged out. Over time, however, maneuvers like eye gouging were discouraged to prevent such unpleasant incidents.

🔗 Religion 🔗 Classical Greece and Rome 🔗 Greece 🔗 India 🔗 Pakistan 🔗 Buddhism 🔗 India/Indian history workgroup 🔗 Pakistan/Pakistani history

Greco-Buddhism, or Graeco-Buddhism, is the cultural syncretism between Hellenistic culture and Buddhism, which developed between the 4th century BC and the 5th century AD in Gandhara, in present-day north-western Pakistan and parts of north-east Afghanistan.

It was a cultural consequence of a long chain of interactions begun by Greek forays into the Indian subcontinent from the time of Alexander the Great. A few years after Alexander's death, the Easternmost fringes of the empire of his general Seleucus were lost in a war with the Mauryan Empire, under the reign of Chandragupta Maurya. The Mauryan Emperor Ashoka would convert to Buddhism and spread the religious philosophy throughout his domain, as recorded in the Edicts of Ashoka. This spread to the Greco-Bactrian kingdom, which itself seceded from the Seleucid empire. Within its borders, the Greek fondness for statuary produced the first statues of the Buddha, leading ultimately to the modern tradition.

Following the collapse of the Mauryan Empire, Greco-Buddhism continued to flourish under the Greco-Bactrian Kingdom, Indo-Greek Kingdoms, and Kushan Empire. Mahayana Buddhism was spread from the Gangetic plains in India into Gandhara and then Central Asia during the Mauryan Era, where it became the most prevalent branch of Buddhism in Central Asia. Mahayana Buddhism was later transmitted through the Silk Road into the Han Dynasty during the Kushan era under the reign of Emperor Kanishka. Buddhist tradition details the monk, Majjhantika of Varanasi, was made responsible for spreading Buddhism in the region by Emperor Ashoka.

🔗 Classical Greece and Rome 🔗 Greece 🔗 Linguistics 🔗 Languages

The pre-Greek substrate (or substratum) consists of the unknown pre-Greek language or languages (either Pre-Indo-European or other Indo-European languages) spoken in prehistoric Greece prior to the emergence of the Proto-Greek language in the region c. 3200–2200 BC, during the Early Helladic period. About 1,000 words of Greek vocabulary cannot be adequately explained as derivatives from Proto-Greek or Proto-Indo-European, leading to the substratum hypothesis.

🔗 Greece 🔗 Linguistics 🔗 Linguistics/Applied Linguistics 🔗 Languages

The Greek language question (Greek: το γλωσσικό ζήτημα, to glossikó zítima) was a dispute about whether the vernacular of the Greek people (Demotic Greek) or a cultivated literary language based on Ancient Greek (Katharevousa) should be the prevailing language of the people and government of Greece. It was a highly controversial topic in the 19th and 20th centuries, and was finally resolved in 1976 when Demotic was made the official language. The language phenomenon in question, which also occurs elsewhere in the world, is called diglossia.

🔗 Crime 🔗 Classical Greece and Rome 🔗 Greece 🔗 Egypt

Papyrus Oxyrhynchus 69 (P. Oxy. 69) is a complaint about a robbery, written in Greek. The manuscript was written on papyrus in the form of a sheet. It was discovered by Grenfell and Hunt in 1897 in Oxyrhynchus. The document was written on 21 November 190. Currently it is housed in the Haskell Oriental Institute at the University of Chicago (2061). The text was published by Grenfell and Hunt in 1898.

The beginning of the letter is lost. It is a petition to an unknown official describing the theft of some barley and asking that an investigation be carried out. The author is unknown. The measurements of the fragment are 178 by 115 mm. The description of the crime scene is quite detailed:

... they broke down a door that led into the public street and had been blocked up with bricks, probably using a log of wood as a battering-ram. They then entered the house and contented themselves with taking what was stored there, 10 artabae of barley, which they carried off by the same way. We guessed that this was removed piecemeal by the said door from the marks of a rope dragged along in that direction, and pointed out this fact to the chief of the police of that village and to the other officials.

10 artabae are equivalent to approximately 30–40 kilograms (66–88 lb) of barley.

🔗 Biography 🔗 Military history 🔗 Architecture 🔗 Greece 🔗 Military history/Military biography 🔗 Biography/military biography 🔗 Military history/World War II 🔗 Military history/Cold War 🔗 Dance 🔗 Composers 🔗 Dance/Ballet 🔗 Classical music 🔗 Military history/Balkan military history 🔗 Biography/Musicians 🔗 Military history/European military history

Iannis Xenakis (also spelt as Yannis Xenakis) (Greek: Γιάννης (Ιάννης) Ξενάκης [ˈʝanis kseˈnacis]; 29 May 1922 – 4 February 2001) was a Greek-French composer, music theorist, architect, performance director and engineer. After 1947, he fled Greece, becoming a naturalized citizen of France. He is considered an important post-World War II composer whose works helped revolutionize 20th-century classical music.

Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances.

Among his most important works are Metastaseis (1953–54) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as Psappha (1975) and Pléïades (1979); compositions that introduced spatialization by dispersing musicians among the audience, such as Terretektorh (1966); electronic works created using Xenakis's UPIC system; and the massive multimedia performances Xenakis called polytopes, that were a summa of his interests and skills. Among the numerous theoretical writings he authored, the book Formalized Music: Thought and Mathematics in Composition (French edition 1963, English translation 1971) is regarded as one of his most important. As an architect, Xenakis is primarily known for his early work under Le Corbusier: the Sainte Marie de La Tourette, on which the two architects collaborated, and the Philips Pavilion at Expo 58, which Xenakis designed by himself.

🔗 Military history 🔗 Military history/Military science, technology, and theory 🔗 Books 🔗 Classical Greece and Rome 🔗 Greece 🔗 Middle Ages 🔗 Middle Ages/History 🔗 Military history/Roman and Byzantine military history 🔗 Military history/Medieval warfare 🔗 Greece/Byzantine world 🔗 Military history/Balkan military history 🔗 Military history/European military history

The Strategikon or Strategicon (Greek: Στρατηγικόν) is a manual of war traditionally regarded as written in the late 6th century and usually attributed to the Byzantine Emperor Maurice. It is moreover a practical manual, "a rather modest elementary handbook" in the words of its introduction, "for those devoting themselves to generalship". This book gives a general guide, handbook, of the Byzantine military's strategies. In his introduction to his 1984 translation of the text, George T. Dennis noted "The Strategikon is written in a very straightforward and generally uncomplicated Greek."

The Strategikon may have been written in an effort to codify the military reforms brought about by the soldier-emperor Maurice. There is debate in academic circles as to the true author of the Strategikon. Maurice may have only commissioned it; perhaps his brother Peter, or another general of his court, was the true author. The dating is also debated. If it was written in the 6th century, the Strategikon may have been produced to codify the experience of the Balkan and Persian campaigns, or the campaigns may have been carried out in compliance with the manual. However, starting in the late 19th century, some historians have argued for a later date in the eighth or ninth century, on philological or technological grounds. In any case, it is considered one of the most important military texts of the medieval years, along with the 10th century military treatises attributed to the Byzantine emperors Leo VI (Tactica) and Nicephorus Phocas (De velitatione and Praecepta Militaria); Leo's Tactica in particular drew heavily from the Strategikon.

The text consists of 12 chapters, or "books", on various aspects of the tactics employed by the Byzantine military of the 6th and 7th century A.D. It is primarily focused on cavalry tactics and formations, yet it also elaborates on matters of infantry, sieges, baggage trains, drilling and marching. The author was familiar with classical military treatises, especially Onasander and Aelian, which he used as conceptional models rather than sources of content. Each book has a general topic to be discussed, and each book goes into great detail even separating each book further into subsections and including maps. These maps are not large and extravagant but more symbols to show positions and a standard design of the formations the Byzantine military used at this time. Books seven and eight contain practical advice to the General in the form of instructions and maxims. The eleventh book has ethnographic interest, with its portrayal of various Byzantine enemies (Franks, Lombards, Avars, Turks, and Slavs). The Strategikon also belongs to Byzantine legal literature, since it contains a list of military infractions and their suitable penalties.

🔗 Physics 🔗 Greece 🔗 Food and drink 🔗 Spirits

The ouzo effect (also louche effect and spontaneous emulsification) is a milky (louche) oil-in-water emulsion that is formed when water is added to ouzo and other anise-flavored liqueurs and spirits, such as pastis, rakı, arak, sambuca and absinthe. Such emulsions occur with only minimal mixing and are highly stable.

🔗 Philosophy 🔗 Classical Greece and Rome 🔗 Greece 🔗 Philosophy/Social and political philosophy 🔗 Women's History 🔗 Philosophy/Ancient philosophy

Aristotle's views on women influenced later Western thinkers, as well as Islamic thinkers, who quoted him as an authority until the end of the Middle Ages, influencing women's history.

In his Politics, Aristotle saw women as subject to men, but as higher than slaves, and lacking authority; he believed the husband should exert political rule over the wife. Among women's differences from men were that they were, in his view, more impulsive, more compassionate, more complaining, and more deceptive. He gave the same weight to women's happiness as to men's, and in his Rhetoric stated that society could not be happy unless women were happy too. Whereas Plato was open to the potential equality of men and women, stating both that women were not equal to men in terms of strength and virtue, but were equal to men in terms of rational and occupational capacity, and hence in the ideal Republic should be educated and allowed to work alongside men without differentiation, Aristotle appears to have disagreed.

In his theory of inheritance, Aristotle considered the mother to provide a passive material element to the child, while the father provided an active, ensouling element with the form of the human species.

🔗 Death 🔗 Greece 🔗 Paranormal

The term Drosoulites (Greek: Δροσουλίτες) refers to a long procession of visions, seen by residents around Frangokastello castle in Sfakia region of Crete (Greece). The phenomenon is rumored to be visible every year, on the anniversary of the Battle of Frangokastello or even in early June near a small village in southern Crete.

The visions, as described by witnesses, consist of a group of human-like shadows dressed in black, walking or riding, armed with weapons, moving from the monastery of Agios Charalambos and advancing towards the old fort, Frangokastello, a 14th-century Venetian fortification. Legend has it that this group of people are Greek fighters that died during the Battle of Frangokastello (17 May 1828) and since then they appear as supernatural beings in the area.

The ghost army is led by Hatzimichalis Dalianis, from Delvinaki in Epirus, the chief of the Greek men, 350 of whom were lost, in the battle. The army took refuge in the fort during the Greek War of Independence against the Turks, where they were killed after a seven-day siege.

The local people named them Drosoulites ("dew shadows") due to the time of day that the phenomenon takes place. The phenomenon is observed when the sea is calm and the atmosphere is moist and before the sun rises too high in the sky. It usually lasts about 10 minutes.

The shadows are visible from the valley at a distance of 1000 m. Many have tried to explain the phenomenon scientifically, and at one time it was explained as a mirage from the coast of North Africa, but still there is no accepted consensus. On the other hand, another, occult, interpretation implies the existence of a psychic phenomenon, clairvoyance, seen in some countries like Britain and Germany, also regarding ghost armies. The appearance of the Drosoulites is documented over the ages. In 1890 a transient Turkish army took the images for rebels and fled away. Even during the Second World War, a German patrol is said to have opened fire on the visions.