Topic: Literature (Page 2)

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๐Ÿ”— List of Prolific Writers

๐Ÿ”— Literature

Some writers have had prolific careers with hundreds of their works being published. While some best-selling authors have written a small number of books that have sold millions of copies, others have had lengthy careers and maintained a high level of output year after year. Dame Agatha Christie, the most-published novelist in history, is estimated to have sold 4 billion books, having written 69 novels and 19 plays. Her works were published between 1920 and 1976, equating to around three publications every two years. Dame Barbara Cartland has also sold millions of copies of her books but wrote many more than Christie. She spent 80 years as a novelist with 722 books published, averaging one book released every 40 days of her career. While Cartland wrote a significant number of full-length novels, other authors have been published many more times but have specialised in short stories. Spanish author Corรญn Tellado wrote over 4,000 novellas, selling 400 million copies of her books.

Not all authors work alone. Groups of writers, sometimes led by one central figure, have published under shared pseudonyms. The Stratemeyer Syndicate, started by Edward Stratemeyer in 1905, created numerous book series including 190 volumes of The Hardy Boys and 175 volumes of Nancy Drew. More than 1,300 books were published by the group, and although Edward L. Stratemeyer wrote several hundred, he also employed ghostwriters to keep up with the demand. These writers were given storylines and strict guidelines to follow to ensure a level of consistency within each series. Amongst the writing team was Howard R. Garis, who contributed several hundred books to the collection, one of the most active authors. Sales were estimated at over two hundred million copies before the syndicate was sold to Simon & Schuster in 1984.

Most authors carefully craft their work, writing and rewriting several times before publication. Some authors simply use pen and paper, while others such as Isaac Asimov spent hours at a stretch working at a typewriter. Philip M. Parker, by one measure the world's most prolific author, has an entirely different approach. Parker has over 200,000 titles listed on Amazon.com, having developed an algorithm to gather publicly available data and compile it into book form. The computer-generated nature of the books is not detailed on the sales page and the books are printed only when ordered.

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๐Ÿ”— Solarpunk

๐Ÿ”— Environment ๐Ÿ”— Science Fiction ๐Ÿ”— Literature ๐Ÿ”— Politics ๐Ÿ”— Visual arts ๐Ÿ”— Ecology ๐Ÿ”— Punk music

Solarpunk is a movement that encourages optimistic envisionings of the future in light of present environmental concerns, such as climate change and pollution, as well as social inequality. Solarpunk encompasses a multitude of media such as literature, art, architecture, fashion, music, and games. Solarpunk focuses on renewable energies, as well as technology as a whole, to envision a positive future for humanity; although, it also embraces less advanced ways to reduce carbon emissions, like gardening. Solarpunk is also a genre of speculative fiction; some of the most well-known examples are Solarpunk: Ecological and Fantastical Stories in a Sustainable World and Sunvault: Stories of Solarpunk and Eco-Speculation.

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๐Ÿ”— Chiastic Structure

๐Ÿ”— Literature ๐Ÿ”— Poetry ๐Ÿ”— Judaism ๐Ÿ”— Christianity ๐Ÿ”— Latter Day Saint movement ๐Ÿ”— Christianity/Bible

Chiastic structure, or chiastic pattern, is a literary technique in narrative motifs and other textual passages. An example of chiastic structure would be two ideas, A and B, together with variants A' and B', being presented as A,B,B',A'. Chiastic structures that involve more components are sometimes called "ring structures", "ring compositions", or, in cases of very ambitious chiasmus, "onion-ring compositions". These may be regarded as chiasmus scaled up from words and clauses to larger segments of text.

These often symmetrical patterns are commonly found in ancient literature such as the epic poetry of the Iliad and the Odyssey. Classicist Bruno Gentili describes this technique as "the cyclical, circular, or 'ring' pattern (ring composition). Here the idea that introduced a compositional section is repeated at its conclusion, so that the whole passage is framed by material of identical content". Meanwhile, in classical prose, scholars often find chiastic narrative techniques in the Histories of Herodotus:

"Herodotus frequently uses ring composition or 'epic regression' as a way of supplying background information for something discussed in the narrative. First an event is mentioned briefly, then its precedents are reviewed in reverse chronological order as far back as necessary; at that point the narrative reverses itself and moves forward in chronological order until the event in the main narrative line is reached again."

Various chiastic structures are also seen in the Hebrew Bible, the New Testament, the Book of Mormon, and the Quran.

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๐Ÿ”— Foetry.com

๐Ÿ”— Internet ๐Ÿ”— Computing ๐Ÿ”— Literature

Foetry.com, sometimes referred to as just Foetry, was a website that attempted to identify fraudulent and unethical practices in poetry contests. It was active from April 1, 2004 until May 18, 2007.

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๐Ÿ”— Aarneโ€“Thompsonโ€“Uther Index

๐Ÿ”— Literature ๐Ÿ”— Folklore

The Aarneโ€“Thompsonโ€“Uther Index (ATU Index) is a catalogue of folktale types used in folklore studies. The ATU Index is the product of a series of revisions and expansions by an international group of scholars: Originally composed in German by Finnish folklorist Antti Aarne (1910); the index was translated into English, revised, and expanded by American folklorist Stith Thompson (1928, 1961); and later further revised and expanded by German folklorist Hans-Jรถrg Uther (2004). The ATU Index, along with Thompson's Motif-Index of Folk-Literature (1932) (with which it is used in tandem) is an essential tool for folklorists.

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๐Ÿ”— Chrestomathy

๐Ÿ”— Literature

A chrestomathy ( kreh-STOM-ษ™-thee; from the Ancient Greek ฯ‡ฯฮทฯƒฯ„ฮฟฮผฮฌฮธฮตฮนฮฑ khrฤ“stomรกtheia 'desire of learning', from ฯ‡ฯฮทฯƒฯ„ฯŒฯ‚ khrฤ“stรณs 'useful' + ฮผฮฑฮฝฮธฮฌฮฝฯ‰ manthรกnล 'learn') is a collection of selected literary passages (usually from a single author); a selection of literary passages from a foreign language assembled for studying the language; or a text in various languages, used especially as an aid in learning a subject.

In philology or in the study of literature, it is a type of reader which presents a sequence of example texts, selected to demonstrate the development of language or literary style. It is different from an anthology because of its didactic purpose.

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๐Ÿ”— Commonplace Book

๐Ÿ”— Literature ๐Ÿ”— Education ๐Ÿ”— Reference works

Commonplace books (or commonplaces) are a way to compile knowledge, usually by writing information into books. They have been kept from antiquity, and were kept particularly during the Renaissance and in the nineteenth century. Such books are essentially scrapbooks filled with items of every kind: recipes, quotes, letters, poems, tables of weights and measures, proverbs, prayers, legal formulas. Commonplaces are used by readers, writers, students, and scholars as an aid for remembering useful concepts or facts. Each one is unique to its creator's particular interests but they almost always include passages found in other texts, sometimes accompanied by the compiler's responses. They became significant in Early Modern Europe.

"Commonplace" is a translation of the Latin term locus communis (from Greek tรณpos koinรณs, see literary topos) which means "a general or common topic", such as a statement of proverbial wisdom. In this original sense, commonplace books were collections of such sayings, such as John Milton's example. Scholars now understand them to include manuscripts in which an individual collects material which have a common theme, such as ethics, or exploring several themes in one volume. Commonplace books are private collections of information, but they are not diaries or travelogues.

In 1685 the English Enlightenment philosopher John Locke wrote a treatise in French on commonplace books, translated into English in 1706 as A New Method of Making Common-Place-Books, "in which techniques for entering proverbs, quotations, ideas, speeches were formulated. Locke gave specific advice on how to arrange material by subject and category, using such key topics as love, politics, or religion. Commonplace books, it must be stressed, are not journals, which are chronological and introspective."

By the early eighteenth century they had become an information management device in which a note-taker stored quotations, observations and definitions. They were used in private households to collate ethical or informative texts, sometimes alongside recipes or medical formulae. For women, who were excluded from formal higher education, the commonplace book could be a repository of intellectual references. The gentlewoman Elizabeth Lyttelton kept one from the 1670s to 1713 and a typical example was published by Mrs Anna Jameson in 1855, including headings such as Ethical Fragments; Theological; Literature and Art. Commonplace books were used by scientists and other thinkers in the same way that a database might now be used: Carl Linnaeus, for instance, used commonplacing techniques to invent and arrange the nomenclature of his Systema Naturae (which is the basis for the system used by scientists today). The commonplace book was often a lifelong habit: for example the English-Australian artist Georgina McCrae kept a commonplace book from 1828-1865.

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๐Ÿ”— Red herring

๐Ÿ”— Philosophy ๐Ÿ”— Literature ๐Ÿ”— Philosophy/Logic ๐Ÿ”— Linguistics ๐Ÿ”— Linguistics/Etymology

A red herring is something that misleads or distracts from a relevant or important question. It may be either a logical fallacy or a literary device that leads readers or audiences toward a false conclusion. A red herring may be used intentionally, as in mystery fiction or as part of rhetorical strategies (e.g., in politics), or may be used in argumentation inadvertently.

The term was popularized in 1807 by English polemicist William Cobbett, who told a story of having used a strong-smelling smoked fish to divert and distract hounds from chasing a rabbit.

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๐Ÿ”— Competent Man

๐Ÿ”— Literature

In literature, the competent man is a stock character who exhibits a very wide range of abilities and knowledge, making him a form of polymath. While not the first to use such a character type, the heroes and heroines of Robert A. Heinlein's fiction (with Jubal Harshaw being a prime example) generally have a wide range of abilities, and one of Heinlein's characters, Lazarus Long, gives a wide summary of requirements:

A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyse a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialization is for insects.

The competent man, more often than not, is written without explaining how he achieved his wide range of skills and abilities. When such characters are young, there is often not much explanation as to how they acquired so many skills at an early age.

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๐Ÿ”— The Thirty-Six Dramatic Situations

๐Ÿ”— Literature

The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors. In his introduction, Polti claims to be continuing the work of Carlo Gozzi, who also identified 36 situations.