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🔗 Classical Greece and Rome 🔗 Greece 🔗 Middle Ages 🔗 Middle Ages/History 🔗 Sociology 🔗 Sports 🔗 Greece/Byzantine world

The Nika riots (Greek: Στάσις τοῦ Νίκα, romanized: Stásis toû Níka), Nika revolt or Nika sedition took place against Byzantine emperor Justinian I in Constantinople over the course of a week in 532 C.E. They are often regarded as the most violent riots in the city's history, with nearly half of Constantinople being burned or destroyed and tens of thousands of people killed.

🔗 Animation 🔗 Disney 🔗 Project-independent assessment

Disney's twelve basic principles of animation were introduced by the Disney animators Ollie Johnston and Frank Thomas in their 1981 book The Illusion of Life: Disney Animation.^[a] The principles are based on the work of Disney animators from the 1930s onwards, in their quest to produce more realistic animation. The main purpose of these principles was to produce an illusion that cartoon characters adhered to the basic laws of physics, but they also dealt with more abstract issues, such as emotional timing and character appeal.

The book has been referred to by some as the "Bible of animation", and some of its principles have been adopted by traditional studios. In 1999, The Illusion of Life was voted the "best animation book[...] of all time" in an online poll done by Animation World Network. While originally intended to apply to traditional, hand-drawn animation, the principles still have great relevance for today's more prevalent computer animation.

🔗 Mathematics 🔗 Physics

The Fresnel integrals S(x) and C(x) are two transcendental functions named after Augustin-Jean Fresnel that are used in optics and are closely related to the error function (erf). They arise in the description of near-field Fresnel diffraction phenomena and are defined through the following integral representations:

The simultaneous parametric plot of S(x) and C(x) is the Euler spiral (also known as the Cornu spiral or clothoid).

🔗 Typography

In typography, an asterism, ⁂, is a typographic symbol consisting of three asterisks placed in a triangle, which is used for a variety of purposes. The name originates from the astronomical term for a group of stars.

The asterism was originally used as a type of dinkus in typography, though increasingly rarely. It can also be used to mean "untitled" or author or title withheld – as seen, for example, in some editions of Album for the Young by composer Robert Schumann (№ 21, 26, and 30). In meteorology, an asterism in a station model indicates moderate snowfall.

🔗 Religion 🔗 Classical Greece and Rome 🔗 Mythology

Glycon (Ancient Greek: Γλύκων Glýkōn, gen: Γλύκωνος Glýkōnos), also spelled Glykon, was an ancient snake god. He had a large and influential cult within the Roman Empire in the 2nd century, with contemporary satirist Lucian providing the primary literary reference to the deity. Lucian claimed Glycon was created in the mid-2nd century by the Greek prophet Alexander of Abonoteichos. Lucian was ill-disposed toward the cult, calling Alexander a false prophet and accusing the whole enterprise of being a hoax: Glycon himself was supposedly a hand puppet.

🔗 United States 🔗 Telecommunications 🔗 Marketing & Advertising 🔗 Invention 🔗 United States/American television

"You Will" was an AT&T marketing campaign that launched in 1993, consisting of commercials directed by David Fincher. Each ad presented a futuristic scenario beginning with "Have you ever…" and ending with "…you will. And the company that will bring it to you: AT&T."

The ads were narrated by Tom Selleck.

The creative team that created the ad campaign at N.W. Ayer & Partners were Copy Supervisor Gordon Hasse, Art Supervisor Nick Scordato and Producer Gaston Braun.

One of the first web banner ads ever sold was part of an AT&T campaign that ran on HotWired starting October 27, 1994, asking "Have you ever clicked your mouse right HERE? You Will".

In 2016, technology writer Timothy B. Lee commented that "overall, the ads were remarkably accurate in predicting the cutting-edge technologies of the coming decades. But the ads were mostly wrong about one thing: the company that brought these technologies to the world was not AT&T. At least not on its own. AT&T does provide some of the infrastructure on which the world's communications flow. But the gadgets and software that brought these futuristic capabilities to consumers were created by a new generation of Silicon Valley companies that mostly didn't exist when these ads were made."

The ads won a few different awards at the time, notably the first annual David Ogilvy Award for the most effective campaign supported by research, the 1994 PCIA (Personal Communications Industry Award), and two ADDY Awards.

🔗 Military history 🔗 Military history/North American military history 🔗 Military history/United States military history 🔗 Military history/World War II 🔗 Graffiti

Kilroy was here is a meme that became popular during World War II, typically seen in graffiti. Its origin is debated, but the phrase and the distinctive accompanying doodle became associated with GIs in the 1940s: a bald-headed man (sometimes depicted as having a few hairs) with a prominent nose peeking over a wall with his fingers clutching the wall.

"Mr Chad" or just "Chad" was the version that became popular in the United Kingdom. The character of Chad may have been derived from a British cartoonist in 1938, possibly pre-dating "Kilroy was here". According to Dave Wilton, "Some time during the war, Chad and Kilroy met, and in the spirit of Allied unity merged, with the British drawing appearing over the American phrase." Other names for the character include Smoe, Clem, Flywheel, Private Snoops, Overby, Eugene the Jeep, Scabooch, and Sapo.

According to Charles Panati, "The outrageousness of the graffiti was not so much what it said, but where it turned up." It is not known if there was an actual person named Kilroy who inspired the graffiti, although there have been claims over the years.

🔗 Russia 🔗 Russia/technology and engineering in Russia 🔗 Physics 🔗 Physics/relativity 🔗 Russia/science and education in Russia

Cherenkov radiation (; Russian: Эффект Вавилова — Черенкова, Vavilov-Cherenkov effect) is electromagnetic radiation emitted when a charged particle (such as an electron) passes through a dielectric medium at a speed greater than the phase velocity (speed of propagation of a wavefront in a medium) of light in that medium. A classic example of Cherenkov radiation is the characteristic blue glow of an underwater nuclear reactor. Its cause is similar to the cause of a sonic boom, the sharp sound heard when faster-than-sound movement occurs. The phenomenon is named after Soviet physicist Pavel Cherenkov.

🔗 Olympics 🔗 Lists 🔗 Arts

There were 146 medalists in the art competitions that were part of the Olympic Games from 1912 until 1948. These art competitions were considered an integral part of the movement by International Olympic Committee (IOC) founder Pierre de Coubertin and necessary to recapture the complete essence of the Ancient Olympic Games. Their absence before the 1912 Summer Olympics, according to journalism professor Richard Stanton, stems from Coubertin "not wanting to fragment the focus of his new and fragile movement". Art competitions were originally planned for inclusion in the 1908 Summer Olympics but were delayed after that edition's change in venue from Rome to London following the 1906 eruption of Mount Vesuvius. By the 1924 Summer Olympics they had grown to be considered internationally relevant and potentially "a milestone in advancing public awareness of art as a whole".

During their first three appearances, the art competitions were grouped into five broad categories: architecture, literature, music, painting, and sculpture. The Dutch Organizing Committee for the 1928 Summer Olympics split these into subcategories in the hopes of increasing participation. Although it was a successful strategy, the 1932 Summer Olympics eliminated several of these subcategories, which led to fewer entries in the broader categories. For the 1936 Summer Olympics, the German government proposed the addition of a film contest to the program, which was rejected.

Following a final appearance at the 1948 Summer Olympics, art competitions were removed from the Olympic program. Planners of the 1952 Summer Olympics opposed their inclusion on logistical grounds, claiming that the lack of an international association for the event meant that the entire onus of facilitation was placed on the local organizing committee. Concerns were also raised about the professionalism of the event, since only amateurs were allowed to participate in the sporting tournaments, and the growing commercialization of the competitions, as artists had been permitted to sell their submissions during the course of the Games since 1928. In 1952 an art festival and exhibition was held concurrent with the Games, a tradition that has been maintained in all subsequent Summer Olympics.

The IOC does not track medalists in Olympic art competitions in its database and thus the prize winners are only officially recorded in the original Olympic reports. Judges were not required to distribute first, second, and third place awards for every category, and thus certain events lack medalists in these placements. Since participants were allowed multiple submissions, it was also possible for artists to win more than one in a single event, as Alex Diggelmann of Switzerland did in the graphic arts category of the 1948 edition. Diggelmann is tied with Denmark's Josef Petersen, who won second prize three times in literature, for the number of medals captured in the art competitions. Luxembourg's Jean Jacoby is the only individual to win two gold medals, doing so in painting in 1924 and 1928. Of the 146 medalists, 11 were women and only Finnish author Aale Tynni was awarded gold. Germany was the most successful nation, with eight gold, seven silver, and nine bronze medals, although one was won by Coubertin himself, a Frenchman. He submitted his poem Ode to Sport under the pseudonyms Georges Hohrod and Martin Eschbach, as if it were a joint-entry, and won first prize in the 1912 literature category. The original report credits this medal to Germany. Two individuals, Walter W. Winans and Alfréd Hajós, won medals in both athletic and art competitions.

🔗 Computing 🔗 Time

The Day of the Programmer is an international professional day that is celebrated on the 256th (hexadecimal 100th, or the 2⁸th) day of each year (September 13 during common years and on September 12 in leap years). It is officially recognized in Russia.

The number 256 (2⁸) was chosen because it is the number of distinct values that can be represented with a byte, a value well known to programmers. 256 is also the highest power of two that is less than 365, the number of days in a common year.