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🔗 United States 🔗 International relations 🔗 Russia 🔗 Military history 🔗 Military history/North American military history 🔗 Military history/United States military history 🔗 United States/Military history - U.S. military history 🔗 Korea 🔗 Women's History 🔗 Sexology and sexuality 🔗 Military history/Asian military history 🔗 Organized crime 🔗 Gender Studies 🔗 Feminism 🔗 Sexology and sexuality/Sex work 🔗 Tambayan Philippines 🔗 Military history/Korean military history

During and following the Korean War, the United States military used regulated prostitution services in South Korean military camptowns. Despite prostitution being illegal since 1948, women in South Korea were the fundamental source of sex services for the U.S. military as well as a component of American and Korean relations. The women in South Korea who served as prostitutes are known as kijichon (기지촌) women, also called as "Korean Military Comfort Women", and were visited by the U.S. military, Korean soldiers and Korean civilians. Kijich'on women were from Korea, Philippines, China, Vietnam, Thailand, Sri Lanka, Nepal, Indonesia and the Commonwealth of Independent States, specifically Russia and Kazakhstan.

🔗 Novels 🔗 Books 🔗 Science Fiction 🔗 LGBT studies 🔗 Women writers 🔗 Gender Studies 🔗 Feminism

Beatrice the Sixteenth: Being the Personal Narrative of Mary Hatherley, M.B., Explorer and Geographer is a 1909 feminist utopian novel by the English transgender lawyer and writer Irene Clyde, about a time traveller who discovers a lost world, which is an egalitarian postgender society.

🔗 Biography 🔗 France 🔗 Women writers 🔗 Biography/Actors and Filmmakers 🔗 Belgium 🔗 Feminism 🔗 Women artists

Agnès Varda (French: [aɲɛs vaʁda]; born Arlette Varda; 30 May 1928 – 29 March 2019) was a Belgian-born French film director, screenwriter, photographer, and artist. Her pioneering work was central to the development of the widely influential French New Wave film movement of the 1950s and 1960s. Her films focused on achieving documentary realism, addressing women's issues, and other social commentary, with a distinctive experimental style.

Varda's work employed location shooting in an era when the limitations of sound technology made it easier and more common to film indoors, with constructed sets and painted backdrops of landscapes, rather than outdoors, on location. Her use of non-professional actors was also unconventional for 1950s French cinema. Varda's feature film debut was La Pointe Courte (1955), followed by Cléo from 5 to 7 (1962), one of her most notable narrative films, Vagabond (1985), and Kung Fu Master (1988). Varda was also known for her work as a documentarian with such works as Black Panthers (1968), The Gleaners and I (2000), The Beaches of Agnès (2008), Faces Places (2017), and her final film, Varda by Agnès (2019).

Director Martin Scorsese described Varda as "one of the Gods of Cinema". Among several other accolades, Varda received an Honorary Palme d'Or at the 2015 Cannes Film Festival, becoming the first woman to win the award, a Golden Lion for Vagabond at the 1985 Venice Film Festival, an Academy Honorary Award, and a nomination for the Academy Award for Best Documentary Feature for Faces Places, becoming the oldest person to be nominated for a competitive Oscar. In 2017, she became the first female director to win an honorary Oscar.

🔗 Women 🔗 Women's History 🔗 Japan 🔗 Japan/History 🔗 Japan/Culture 🔗 Japan/Law and government 🔗 Feminism

Feminism in Japan began with women's rights movements that date back to antiquity. The movement started to gain momentum after Western thinking was brought into Japan during the Meiji Restoration in 1868. Japanese feminism differs from Western feminism in that less emphasis is placed on individual autonomy.

Prior to the late 19th century, Japanese women were bound by the traditional patriarchal system where senior male members of the family maintain their authority in the household. After the reforms brought by Meiji Restoration, women's status in Japanese society also went through series of changes. Trafficking of women was restricted, women were allowed to request divorces, and both boys and girls were required to receive elementary education. Further changes to women's status came about in the aftermath of World War II. Women received the right to vote, and a section of the new constitution drafted in 1946 was dedicated to guarantee gender equality.

In 1970, in the wake of the anti–Vietnam War movements, a new women's liberation movement called ūman ribu (woman lib) emerged in Japan from the New Left and radical student movements in the late 1960s. This movement was in sync with radical feminist movements in the United States and elsewhere, catalyzing a resurgence of feminist activism through the 1970s and beyond. The activists forwarded a comprehensive critique of the male-dominated nature of modern Japan, arguing for a fundamental change of the political-economic system and culture of the society. What distinguished them from previous feminist movements was their emphasis on sexual liberation (性の解放, sei no kaihō). They did not aim for equality with men, but rather focused on calling for men's liberation from the oppressive aspects of a patriarchal and capitalist system.

In 1979, the Convention on the Elimination of All Forms of Discrimination Against Women was adopted by the United Nations General Assembly. The Japanese government ratified it in 1985.